From the Spectator to Spectators: Forms of Capitalization of the Dramatist’s Work in the First Half of the 19th Century (“Leib-kucher Petra III” by August von Kotzebue and “Parasha Sibiryachka” by Nikolai Polevoy)
In this article, Nikolai Polevoy’s play Parasha Sibiryachka (1840) is analyzed as an instrument of influence on Emperor Nicholas I. The plot of the play in this perspective can be understood as a direct appeal to the authorities to grant mercy and change the fate of the disgraced writer. Polevoy enc...
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| Format: | Article |
| Language: | Bulgarian |
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Moscow State University of Education
2019-12-01
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| Series: | Slovene |
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| Online Access: | http://slovene.ru/ojs/index.php/slovene/article/view/467 |