A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations

This paper aims to present a rhetorical narratological analysis of Charles Dickens’s Great Expectations (1861) with a specific focus on the issue of crime and the figure of the criminal. There are many studies pointing out that the novel provides the reader with an anatomy of crime and the criminal;...

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Main Authors: Elzem NAZLİ, Elif ÖZTABAK AVCI
Format: Article
Language:deu
Published: Ankara University 2018-10-01
Series:Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi
Subjects:
Online Access:http://dtcfdergisi.ankara.edu.tr/index.php/dtcf/article/view/5158
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spelling doaj-2b6a104aaec9457e8e851ab3e797fc572020-11-25T00:13:24ZdeuAnkara UniversityAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi2459-01502018-10-0158157159410.33171/dtcfjournal.2018.58.1.274286A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great ExpectationsElzem NAZLİ0Elif ÖZTABAK AVCI1Middle East Technical University. enazli@metu.edu.trMiddle East Technical University. elifo@metu.edu.trThis paper aims to present a rhetorical narratological analysis of Charles Dickens’s Great Expectations (1861) with a specific focus on the issue of crime and the figure of the criminal. There are many studies pointing out that the novel provides the reader with an anatomy of crime and the criminal; yet, its differing treatment of the criminal characters and its possible effects over the reader have not received much narratological attention. Although Magwitch, Compeyson, and Molly can all be equally considered criminals in the eyes of the law, they are positioned differently in the text. The novel arouses genuine sympathy for Magwitch, whereas it incites implacable hatred towards Compeyson and utter indifference to Molly. The novel’s sympathetic attitude to Magwitch, a socially-marginalized character, aims to invite the reader’s attention to inequalities in the juridical system; however, it does not offer a subversive treatment of the issue of crime because it stays within the confines of bourgeois morality: first, as a Bildungsroman, it underlines the individual’s education resulting in his/her integration into society; second, the implied author does not centralize another socially-disadvantaged character: Molly. As a lower-class woman, she remains voiceless in the margins of the text and her position as a criminal is not contested at all.http://dtcfdergisi.ankara.edu.tr/index.php/dtcf/article/view/5158Charles DickensGreat ExpectationsCrimeRhetorical NarratologyThe Implied AuthorBildungsroman
collection DOAJ
language deu
format Article
sources DOAJ
author Elzem NAZLİ
Elif ÖZTABAK AVCI
spellingShingle Elzem NAZLİ
Elif ÖZTABAK AVCI
A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations
Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi
Charles Dickens
Great Expectations
Crime
Rhetorical Narratology
The Implied Author
Bildungsroman
author_facet Elzem NAZLİ
Elif ÖZTABAK AVCI
author_sort Elzem NAZLİ
title A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations
title_short A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations
title_full A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations
title_fullStr A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations
title_full_unstemmed A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations
title_sort rhetorical narratological approach to the treatment of crime and criminals in great expectations
publisher Ankara University
series Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi
issn 2459-0150
publishDate 2018-10-01
description This paper aims to present a rhetorical narratological analysis of Charles Dickens’s Great Expectations (1861) with a specific focus on the issue of crime and the figure of the criminal. There are many studies pointing out that the novel provides the reader with an anatomy of crime and the criminal; yet, its differing treatment of the criminal characters and its possible effects over the reader have not received much narratological attention. Although Magwitch, Compeyson, and Molly can all be equally considered criminals in the eyes of the law, they are positioned differently in the text. The novel arouses genuine sympathy for Magwitch, whereas it incites implacable hatred towards Compeyson and utter indifference to Molly. The novel’s sympathetic attitude to Magwitch, a socially-marginalized character, aims to invite the reader’s attention to inequalities in the juridical system; however, it does not offer a subversive treatment of the issue of crime because it stays within the confines of bourgeois morality: first, as a Bildungsroman, it underlines the individual’s education resulting in his/her integration into society; second, the implied author does not centralize another socially-disadvantaged character: Molly. As a lower-class woman, she remains voiceless in the margins of the text and her position as a criminal is not contested at all.
topic Charles Dickens
Great Expectations
Crime
Rhetorical Narratology
The Implied Author
Bildungsroman
url http://dtcfdergisi.ankara.edu.tr/index.php/dtcf/article/view/5158
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