Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration

Among the many representations of migration, relevant prominence has been acquired by multimedia biographic discourses and digital enriched documentaries that reproduce the direct experience of migrants and their relationship with hosting societies. This paper aims at proposing a scale of the possib...

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Main Authors: Nicola Dusi, Damiano Razzoli
Format: Article
Language:English
Published: University of Bologna 2019-12-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/9750
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spelling doaj-2b5ca28beeac4200881b12966865c6742020-11-25T01:37:45ZengUniversity of BolognaCinergie2280-94812019-12-01816799310.6092/issn.2280-9481/97508627Experiencing the Presence: Degrees of Closeness in the Digital Biographies of MigrationNicola Dusi0Damiano Razzoli1University of Modena and Reggio EmiliaUniversity of Modena and Reggio EmiliaAmong the many representations of migration, relevant prominence has been acquired by multimedia biographic discourses and digital enriched documentaries that reproduce the direct experience of migrants and their relationship with hosting societies. This paper aims at proposing a scale of the possible degrees of proximity or closeness in the contemporary media discourses about migration. Drawing on the semiotics of media experience, we focus on how biographic theatrical video, digital artistic based VR installation, data visualization platforms and web documentaries contribute to shape the figure of the migrant and of the border, and how they challenge the dialectic opposition between presence and distance in regard of the migration experience. In this direction, contemporary discourses on migration and migrants’ digital biographies are not only characterized by recovering the so called “capture of speech” of migrants or what idea of border and Self has been produced. Indeed, they are marked by their capacity to generate effects of presence of and to the direct experience of the migrants’ lives.https://cinergie.unibo.it/article/view/9750migrantsbordersdigital interfacesstorytelling
collection DOAJ
language English
format Article
sources DOAJ
author Nicola Dusi
Damiano Razzoli
spellingShingle Nicola Dusi
Damiano Razzoli
Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration
Cinergie
migrants
borders
digital interfaces
storytelling
author_facet Nicola Dusi
Damiano Razzoli
author_sort Nicola Dusi
title Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration
title_short Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration
title_full Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration
title_fullStr Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration
title_full_unstemmed Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration
title_sort experiencing the presence: degrees of closeness in the digital biographies of migration
publisher University of Bologna
series Cinergie
issn 2280-9481
publishDate 2019-12-01
description Among the many representations of migration, relevant prominence has been acquired by multimedia biographic discourses and digital enriched documentaries that reproduce the direct experience of migrants and their relationship with hosting societies. This paper aims at proposing a scale of the possible degrees of proximity or closeness in the contemporary media discourses about migration. Drawing on the semiotics of media experience, we focus on how biographic theatrical video, digital artistic based VR installation, data visualization platforms and web documentaries contribute to shape the figure of the migrant and of the border, and how they challenge the dialectic opposition between presence and distance in regard of the migration experience. In this direction, contemporary discourses on migration and migrants’ digital biographies are not only characterized by recovering the so called “capture of speech” of migrants or what idea of border and Self has been produced. Indeed, they are marked by their capacity to generate effects of presence of and to the direct experience of the migrants’ lives.
topic migrants
borders
digital interfaces
storytelling
url https://cinergie.unibo.it/article/view/9750
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