The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language
<p>This paper examines the application of the techniques of impressionism to the cinematographic work of Jean Renoir. It is not just a question of influence of the parent-child relationship between the author and his father, Jean Renoir has a premeditated intention to translate the impressioni...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Universidad Complutense de Madrid
2013-01-01
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| Series: | Arte, Individuo y Sociedad |
| Subjects: | |
| Online Access: | http://revistas.ucm.es/index.php/ARIS/article/view/41162 |
| Summary: | <p>This paper examines the application of the techniques of impressionism to the cinematographic work of Jean Renoir. It is not just a question of influence of the parent-child relationship between the author and his father, Jean Renoir has a premeditated intention to translate the impressionism techniques to the movies.</p><p>The research is based on the analysis of the cinematographic work of Jean Renoir, with special reference to <em>Une partie de campagne</em> (1936).</p> |
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| ISSN: | 1131-5598 1988-2408 |