Contemporizing Modesty

Contemporary Muslim Fashions, September 22, 2018 – January 6, 2019 was organized by the Fine Arts Museums of San Francisco, shown in the de Young Museum and curated by Jill D’Alessandro and Laura Camerlengo, both curators at the museum, and consulting curator Reina Lewis, a scholar at the London Col...

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Bibliographic Details
Main Author: Romana Mirza
Format: Article
Language:English
Published: Centre for Fashion Diversity and Social Change, Ryerson University 2019-04-01
Series:Fashion Studies
Subjects:
Online Access:https://www.fashionstudies.ca/contemporizing-modesty
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spelling doaj-2abd775ce3b84e99a815f8f800a01f972020-12-04T20:30:43ZengCentre for Fashion Diversity and Social Change, Ryerson UniversityFashion Studies2371-34532019-04-011211710.38055/FS010204Contemporizing ModestyRomana Mirza0Ryerson UniversityContemporary Muslim Fashions, September 22, 2018 – January 6, 2019 was organized by the Fine Arts Museums of San Francisco, shown in the de Young Museum and curated by Jill D’Alessandro and Laura Camerlengo, both curators at the museum, and consulting curator Reina Lewis, a scholar at the London College of Fashion, University of the Arts London. The aim was to represent contemporary Muslim fashions. To this end, they assembled and exhibited a collection of garments from the most popular fashion designers of the day, chosen from a series of shows at modest fashion weeks around the world. Supplemented by key pieces that have gained traction in the news such as the Burkini™ and Nike®’s sport hijab, this exhibit elevated perceptions and highlighted a global view by showing designs from around the globe, honouring the African-American, Muslim-American, Arab, and South East Asian cultures and aesthetics. Supporting the sartorial narrative was a display of visual and multimedia art from hip hop music videos, film, Instagram feeds, photography, magazine covers, and prints. The multimedia “exhibit within an exhibit” complemented the sartorial narrative by providing a contemporary context for the clothing. It reminded the observer that the exhibit was not merely about fashion history or the evolution of modesty in dress but about a contemporary moment. The relationship between fashion and the body was explored through designs that cover the body and intentionally hide the often objectified and sexualized female figure to reveal a contemporary approach to fashion that is empowering.https://www.fashionstudies.ca/contemporizing-modestymodestfashionexhibition reviewmultimedia
collection DOAJ
language English
format Article
sources DOAJ
author Romana Mirza
spellingShingle Romana Mirza
Contemporizing Modesty
Fashion Studies
modest
fashion
exhibition review
multimedia
author_facet Romana Mirza
author_sort Romana Mirza
title Contemporizing Modesty
title_short Contemporizing Modesty
title_full Contemporizing Modesty
title_fullStr Contemporizing Modesty
title_full_unstemmed Contemporizing Modesty
title_sort contemporizing modesty
publisher Centre for Fashion Diversity and Social Change, Ryerson University
series Fashion Studies
issn 2371-3453
publishDate 2019-04-01
description Contemporary Muslim Fashions, September 22, 2018 – January 6, 2019 was organized by the Fine Arts Museums of San Francisco, shown in the de Young Museum and curated by Jill D’Alessandro and Laura Camerlengo, both curators at the museum, and consulting curator Reina Lewis, a scholar at the London College of Fashion, University of the Arts London. The aim was to represent contemporary Muslim fashions. To this end, they assembled and exhibited a collection of garments from the most popular fashion designers of the day, chosen from a series of shows at modest fashion weeks around the world. Supplemented by key pieces that have gained traction in the news such as the Burkini™ and Nike®’s sport hijab, this exhibit elevated perceptions and highlighted a global view by showing designs from around the globe, honouring the African-American, Muslim-American, Arab, and South East Asian cultures and aesthetics. Supporting the sartorial narrative was a display of visual and multimedia art from hip hop music videos, film, Instagram feeds, photography, magazine covers, and prints. The multimedia “exhibit within an exhibit” complemented the sartorial narrative by providing a contemporary context for the clothing. It reminded the observer that the exhibit was not merely about fashion history or the evolution of modesty in dress but about a contemporary moment. The relationship between fashion and the body was explored through designs that cover the body and intentionally hide the often objectified and sexualized female figure to reveal a contemporary approach to fashion that is empowering.
topic modest
fashion
exhibition review
multimedia
url https://www.fashionstudies.ca/contemporizing-modesty
work_keys_str_mv AT romanamirza contemporizingmodesty
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