Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina

This article combines the disciplinary perspectives of a Latinist (Anguita) and a Hispanist (Wright) to cast light on the Austrias Carmen, a two-book epic by Joannes Latinus (Juan Latino, 1517? - 1590?). The poet, a former slave of black-African origins who taught Latin in Granada, deployed allusive...

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Main Authors: José María Anguita, Elizabeth R. Wright
Format: Article
Language:Spanish
Published: Presses universitaires du Mirail 2012-01-01
Series:Criticón
Subjects:
Online Access:http://journals.openedition.org/criticon/115
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spelling doaj-2abc31281b174cd1823e36a40a47f9a72020-11-25T01:39:01ZspaPresses universitaires du MirailCriticón0247-381X2012-01-0111510512310.4000/criticon.115Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadinaJosé María AnguitaElizabeth R. WrightThis article combines the disciplinary perspectives of a Latinist (Anguita) and a Hispanist (Wright) to cast light on the Austrias Carmen, a two-book epic by Joannes Latinus (Juan Latino, 1517? - 1590?). The poet, a former slave of black-African origins who taught Latin in Granada, deployed allusive Latin hexameters to recount the victory of the Holy League navy—comprised of Spain, Venice and Rome— over the Ottoman Turks in the Battle of Lepanto (October 7, 1571). To illustrate the role of imitatio, the authors analyze the references to one of the most debated episodes in Vergil’s Aeneid, the raid of Nisus and Euryalus from Book 9, vv. 176-449. As well, they contextualize the epic with reference to the morisco uprising which devastated the poet’s home city in the half-decade before the naval battle.http://journals.openedition.org/criticon/115guerra de las AlpujarrasimitatioJuan LatinoNiso y Euríalopoesía épicapoesía de Lepanto
collection DOAJ
language Spanish
format Article
sources DOAJ
author José María Anguita
Elizabeth R. Wright
spellingShingle José María Anguita
Elizabeth R. Wright
Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina
Criticón
guerra de las Alpujarras
imitatio
Juan Latino
Niso y Euríalo
poesía épica
poesía de Lepanto
author_facet José María Anguita
Elizabeth R. Wright
author_sort José María Anguita
title Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina
title_short Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina
title_full Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina
title_fullStr Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina
title_full_unstemmed Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina
title_sort sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina
publisher Presses universitaires du Mirail
series Criticón
issn 0247-381X
publishDate 2012-01-01
description This article combines the disciplinary perspectives of a Latinist (Anguita) and a Hispanist (Wright) to cast light on the Austrias Carmen, a two-book epic by Joannes Latinus (Juan Latino, 1517? - 1590?). The poet, a former slave of black-African origins who taught Latin in Granada, deployed allusive Latin hexameters to recount the victory of the Holy League navy—comprised of Spain, Venice and Rome— over the Ottoman Turks in the Battle of Lepanto (October 7, 1571). To illustrate the role of imitatio, the authors analyze the references to one of the most debated episodes in Vergil’s Aeneid, the raid of Nisus and Euryalus from Book 9, vv. 176-449. As well, they contextualize the epic with reference to the morisco uprising which devastated the poet’s home city in the half-decade before the naval battle.
topic guerra de las Alpujarras
imitatio
Juan Latino
Niso y Euríalo
poesía épica
poesía de Lepanto
url http://journals.openedition.org/criticon/115
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