Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina
This article combines the disciplinary perspectives of a Latinist (Anguita) and a Hispanist (Wright) to cast light on the Austrias Carmen, a two-book epic by Joannes Latinus (Juan Latino, 1517? - 1590?). The poet, a former slave of black-African origins who taught Latin in Granada, deployed allusive...
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2012-01-01
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Online Access: | http://journals.openedition.org/criticon/115 |
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doaj-2abc31281b174cd1823e36a40a47f9a72020-11-25T01:39:01ZspaPresses universitaires du MirailCriticón0247-381X2012-01-0111510512310.4000/criticon.115Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadinaJosé María AnguitaElizabeth R. WrightThis article combines the disciplinary perspectives of a Latinist (Anguita) and a Hispanist (Wright) to cast light on the Austrias Carmen, a two-book epic by Joannes Latinus (Juan Latino, 1517? - 1590?). The poet, a former slave of black-African origins who taught Latin in Granada, deployed allusive Latin hexameters to recount the victory of the Holy League navy—comprised of Spain, Venice and Rome— over the Ottoman Turks in the Battle of Lepanto (October 7, 1571). To illustrate the role of imitatio, the authors analyze the references to one of the most debated episodes in Vergil’s Aeneid, the raid of Nisus and Euryalus from Book 9, vv. 176-449. As well, they contextualize the epic with reference to the morisco uprising which devastated the poet’s home city in the half-decade before the naval battle.http://journals.openedition.org/criticon/115guerra de las AlpujarrasimitatioJuan LatinoNiso y Euríalopoesía épicapoesía de Lepanto |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
José María Anguita Elizabeth R. Wright |
spellingShingle |
José María Anguita Elizabeth R. Wright Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina Criticón guerra de las Alpujarras imitatio Juan Latino Niso y Euríalo poesía épica poesía de Lepanto |
author_facet |
José María Anguita Elizabeth R. Wright |
author_sort |
José María Anguita |
title |
Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina |
title_short |
Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina |
title_full |
Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina |
title_fullStr |
Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina |
title_full_unstemmed |
Sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina |
title_sort |
sombras de la onorosa praeda: un exemplo virgiliano para un aula granadina |
publisher |
Presses universitaires du Mirail |
series |
Criticón |
issn |
0247-381X |
publishDate |
2012-01-01 |
description |
This article combines the disciplinary perspectives of a Latinist (Anguita) and a Hispanist (Wright) to cast light on the Austrias Carmen, a two-book epic by Joannes Latinus (Juan Latino, 1517? - 1590?). The poet, a former slave of black-African origins who taught Latin in Granada, deployed allusive Latin hexameters to recount the victory of the Holy League navy—comprised of Spain, Venice and Rome— over the Ottoman Turks in the Battle of Lepanto (October 7, 1571). To illustrate the role of imitatio, the authors analyze the references to one of the most debated episodes in Vergil’s Aeneid, the raid of Nisus and Euryalus from Book 9, vv. 176-449. As well, they contextualize the epic with reference to the morisco uprising which devastated the poet’s home city in the half-decade before the naval battle. |
topic |
guerra de las Alpujarras imitatio Juan Latino Niso y Euríalo poesía épica poesía de Lepanto |
url |
http://journals.openedition.org/criticon/115 |
work_keys_str_mv |
AT josemariaanguita sombrasdelaonorosapraedaunexemplovirgilianoparaunaulagranadina AT elizabethrwright sombrasdelaonorosapraedaunexemplovirgilianoparaunaulagranadina |
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