ARCHITECTONICAL PECULIARITIES OF THE CANTATA OUR DAWN BY S. LOBEL

• Main Author: KUZNEŢOVA NADEJDA
• Format: Article
• Language: deu
• Published: Notograf Prim 2017-12-01
• Series: Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
• Subjects: starting from the poetic form of E. Bukov’s poems; which are the basis of the work. The use of the modified strophic form for most parts of the cantata is explained in terms of following the samples of folk poetry; on the one hand; and also from the appeal to the genre of the Soviet mass song with its images and rhetoric system; on the other. Observing the tendency to enlarge the sections by integrating the strophes of the original form as well as different methods of their compositional grouping (periodic repetition; tonal transposition; etc.); the author comes to the conclusion about the association of other form-building principles like rondo; sonata; concentric structure; cantata; chorus; architectonics; modified strophic form; second plan form; Simion Lobel
• Online Access: http://revista.amtap.md/wp-content/files_mf/152664123816_Kuznetova_Arhitektonicheskieosobennostikantatynashizoris.lobel.pdf
• ISSN: 2345-1408; 2345-1831

The author analyses the musical architectonics of the cantata Our Dawns by S. Lobel (1954), starting from the poetic form of E. Bukov’s poems, which are the basis of the work. The use of the modified strophic form for most parts of the cantata is explained in terms of following the samples of folk poetry, on the one hand, and also from the appeal to the genre of the Soviet mass song with its images and rhetoric system, on the other. Observing the tendency to enlarge the sections by integrating the strophes of the original form as well as different methods of their compositional grouping (periodic repetition, tonal transposition, etc.), the author comes to the conclusion about the association of other form-building principles like rondo, sonata, concentric structure, that led to the formation of the second and even the third plan form.