Troubled traces: painting and displaying intercultural traumas of Aboriginality

Behind the pointillism of dot paintings or ‘naïve’ techniques, Aboriginal artists stridently critique histories of injustice, incarceration, racism, colonialism and dispossession. This personal testimony from Heather Kamarra Shearer, one of the ‘stolen generation’ of Aboriginal Australians, reflect...

Full description

Bibliographic Details
Main Author: Heather Kamarra Shearer
Format: Article
Language:English
Published: The Open University 2014-10-01
Series:The Open Arts Journal
Subjects:
art
Online Access:https://openartsjournal.files.wordpress.com/2014/09/shearer_v3_p199-209.pdf
id doaj-29f08fe4e8d248159c028662847e1ee2
record_format Article
spelling doaj-29f08fe4e8d248159c028662847e1ee22020-11-24T23:38:48ZengThe Open UniversityThe Open Arts Journal2050-36792014-10-01319920910.5456/issn.2050-3679/2014s35hsTroubled traces: painting and displaying intercultural traumas of AboriginalityHeather Kamarra ShearerBehind the pointillism of dot paintings or ‘naïve’ techniques, Aboriginal artists stridently critique histories of injustice, incarceration, racism, colonialism and dispossession. This personal testimony from Heather Kamarra Shearer, one of the ‘stolen generation’ of Aboriginal Australians, reflects on her life story and her present vocation in the field of legal rights and as an artist.https://openartsjournal.files.wordpress.com/2014/09/shearer_v3_p199-209.pdfAboriginal AustraliansAranda peopleAustraliaNational Stolen Generations Allianceartreparationhealinginterculturaltrauma
collection DOAJ
language English
format Article
sources DOAJ
author Heather Kamarra Shearer
spellingShingle Heather Kamarra Shearer
Troubled traces: painting and displaying intercultural traumas of Aboriginality
The Open Arts Journal
Aboriginal Australians
Aranda people
Australia
National Stolen Generations Alliance
art
reparation
healing
intercultural
trauma
author_facet Heather Kamarra Shearer
author_sort Heather Kamarra Shearer
title Troubled traces: painting and displaying intercultural traumas of Aboriginality
title_short Troubled traces: painting and displaying intercultural traumas of Aboriginality
title_full Troubled traces: painting and displaying intercultural traumas of Aboriginality
title_fullStr Troubled traces: painting and displaying intercultural traumas of Aboriginality
title_full_unstemmed Troubled traces: painting and displaying intercultural traumas of Aboriginality
title_sort troubled traces: painting and displaying intercultural traumas of aboriginality
publisher The Open University
series The Open Arts Journal
issn 2050-3679
publishDate 2014-10-01
description Behind the pointillism of dot paintings or ‘naïve’ techniques, Aboriginal artists stridently critique histories of injustice, incarceration, racism, colonialism and dispossession. This personal testimony from Heather Kamarra Shearer, one of the ‘stolen generation’ of Aboriginal Australians, reflects on her life story and her present vocation in the field of legal rights and as an artist.
topic Aboriginal Australians
Aranda people
Australia
National Stolen Generations Alliance
art
reparation
healing
intercultural
trauma
url https://openartsjournal.files.wordpress.com/2014/09/shearer_v3_p199-209.pdf
work_keys_str_mv AT heatherkamarrashearer troubledtracespaintinganddisplayinginterculturaltraumasofaboriginality
_version_ 1725515634235670528