Troubled traces: painting and displaying intercultural traumas of Aboriginality
Behind the pointillism of dot paintings or ‘naïve’ techniques, Aboriginal artists stridently critique histories of injustice, incarceration, racism, colonialism and dispossession. This personal testimony from Heather Kamarra Shearer, one of the ‘stolen generation’ of Aboriginal Australians, reflect...
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The Open University
2014-10-01
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Online Access: | https://openartsjournal.files.wordpress.com/2014/09/shearer_v3_p199-209.pdf |
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doaj-29f08fe4e8d248159c028662847e1ee22020-11-24T23:38:48ZengThe Open UniversityThe Open Arts Journal2050-36792014-10-01319920910.5456/issn.2050-3679/2014s35hsTroubled traces: painting and displaying intercultural traumas of AboriginalityHeather Kamarra ShearerBehind the pointillism of dot paintings or ‘naïve’ techniques, Aboriginal artists stridently critique histories of injustice, incarceration, racism, colonialism and dispossession. This personal testimony from Heather Kamarra Shearer, one of the ‘stolen generation’ of Aboriginal Australians, reflects on her life story and her present vocation in the field of legal rights and as an artist.https://openartsjournal.files.wordpress.com/2014/09/shearer_v3_p199-209.pdfAboriginal AustraliansAranda peopleAustraliaNational Stolen Generations Allianceartreparationhealinginterculturaltrauma |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Heather Kamarra Shearer |
spellingShingle |
Heather Kamarra Shearer Troubled traces: painting and displaying intercultural traumas of Aboriginality The Open Arts Journal Aboriginal Australians Aranda people Australia National Stolen Generations Alliance art reparation healing intercultural trauma |
author_facet |
Heather Kamarra Shearer |
author_sort |
Heather Kamarra Shearer |
title |
Troubled traces: painting and displaying intercultural traumas of Aboriginality |
title_short |
Troubled traces: painting and displaying intercultural traumas of Aboriginality |
title_full |
Troubled traces: painting and displaying intercultural traumas of Aboriginality |
title_fullStr |
Troubled traces: painting and displaying intercultural traumas of Aboriginality |
title_full_unstemmed |
Troubled traces: painting and displaying intercultural traumas of Aboriginality |
title_sort |
troubled traces: painting and displaying intercultural traumas of aboriginality |
publisher |
The Open University |
series |
The Open Arts Journal |
issn |
2050-3679 |
publishDate |
2014-10-01 |
description |
Behind the pointillism of dot paintings or ‘naïve’ techniques, Aboriginal artists stridently critique histories of injustice, incarceration, racism, colonialism and dispossession. This personal testimony from Heather Kamarra Shearer, one of the ‘stolen generation’ of Aboriginal Australians, reflects on her life story and her present vocation in the field of legal rights and as an artist. |
topic |
Aboriginal Australians Aranda people Australia National Stolen Generations Alliance art reparation healing intercultural trauma |
url |
https://openartsjournal.files.wordpress.com/2014/09/shearer_v3_p199-209.pdf |
work_keys_str_mv |
AT heatherkamarrashearer troubledtracespaintinganddisplayinginterculturaltraumasofaboriginality |
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1725515634235670528 |