Abolir la Croyance pour Faire Place au Savoir… Les chaînes à l’heure de la télé-réalité

The author re-examines the question of fictional experience (construed as a «shared suspension of disbeliefs»), departing from the observation of particular cases, such as the reality shows’one: assuming a critical position towards the notion of «contract», the author proposes, as a counterpart, that...

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Main Author: JOST, François
Format: Article
Language:Portuguese
Published: Universidade Federal da Bahia 2005-12-01
Series:Contemporanea : Revista de Comunicação e Cultura
Subjects:
Online Access:http://www.portalseer.ufba.br/index.php/contemporaneaposcom/article/view/3463/2528
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spelling doaj-29ddcc451ce14ef480cdf66e51784b932020-11-24T20:54:01ZporUniversidade Federal da BahiaContemporanea : Revista de Comunicação e Cultura1806-02691809-93862005-12-013289102Abolir la Croyance pour Faire Place au Savoir… Les chaînes à l’heure de la télé-réalitéJOST, FrançoisThe author re-examines the question of fictional experience (construed as a «shared suspension of disbeliefs»), departing from the observation of particular cases, such as the reality shows’one: assuming a critical position towards the notion of «contract», the author proposes, as a counterpart, that the question of the fictional regimes be taken as a problem connected with the forms of knowledge associated to the production of texts. The author recurs to the notion of «genre promisse», as a matrix of the phenomena of existential adhesion, from the part of the beholder of fictions: the constitution of genres implies the consideration of the worlds to which the very genres are related, in such a way that the validity of each genre would be taken as laying upon the promisse of a world (either real, fictional or playful) which is capable of conditioning the beliefs of the beholder. In examining the case of the reality shows, the author identifies the phenemenon of the blurring of boundaries between types of worlds, as of types of correponding genres.http://www.portalseer.ufba.br/index.php/contemporaneaposcom/article/view/3463/2528ContractReality showsGenres
collection DOAJ
language Portuguese
format Article
sources DOAJ
author JOST, François
spellingShingle JOST, François
Abolir la Croyance pour Faire Place au Savoir… Les chaînes à l’heure de la télé-réalité
Contemporanea : Revista de Comunicação e Cultura
Contract
Reality shows
Genres
author_facet JOST, François
author_sort JOST, François
title Abolir la Croyance pour Faire Place au Savoir… Les chaînes à l’heure de la télé-réalité
title_short Abolir la Croyance pour Faire Place au Savoir… Les chaînes à l’heure de la télé-réalité
title_full Abolir la Croyance pour Faire Place au Savoir… Les chaînes à l’heure de la télé-réalité
title_fullStr Abolir la Croyance pour Faire Place au Savoir… Les chaînes à l’heure de la télé-réalité
title_full_unstemmed Abolir la Croyance pour Faire Place au Savoir… Les chaînes à l’heure de la télé-réalité
title_sort abolir la croyance pour faire place au savoir… les chaînes à l’heure de la télé-réalité
publisher Universidade Federal da Bahia
series Contemporanea : Revista de Comunicação e Cultura
issn 1806-0269
1809-9386
publishDate 2005-12-01
description The author re-examines the question of fictional experience (construed as a «shared suspension of disbeliefs»), departing from the observation of particular cases, such as the reality shows’one: assuming a critical position towards the notion of «contract», the author proposes, as a counterpart, that the question of the fictional regimes be taken as a problem connected with the forms of knowledge associated to the production of texts. The author recurs to the notion of «genre promisse», as a matrix of the phenomena of existential adhesion, from the part of the beholder of fictions: the constitution of genres implies the consideration of the worlds to which the very genres are related, in such a way that the validity of each genre would be taken as laying upon the promisse of a world (either real, fictional or playful) which is capable of conditioning the beliefs of the beholder. In examining the case of the reality shows, the author identifies the phenemenon of the blurring of boundaries between types of worlds, as of types of correponding genres.
topic Contract
Reality shows
Genres
url http://www.portalseer.ufba.br/index.php/contemporaneaposcom/article/view/3463/2528
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