Post-Modern, Post-National, Post-Gender? Suggestions for a Consideration of Gender Identities in the Visual Artworks and Moving Images of Neue Slowenische Kunst
Active since 1980, the multidisciplinary Slovenian art collective Neue Slowenische Kunst (NSK, New Slovenian Art) and its branches, the fine arts group IRWIN, industrial music band Laibach and theatre troupe Gledališče Sester Scipion Nasice (The Scipion Nasice Sisters Theatre), have seen their works...
Main Author: | Gravenor Natalie |
---|---|
Format: | Article |
Language: | English |
Published: |
Sciendo
2017-12-01
|
Series: | Acta Universitatis Sapientiae: Film and Media Studies |
Subjects: | |
Online Access: | https://doi.org/10.1515/ausfm-2017-0008 |
Similar Items
-
Colorist art, contemporary Russian art, and Neue Slowenische Kunst in the collection of Neil K. Rector
by: Brod, Heather Christine
Published: (2006) -
The Construction of Identity in Post-Chicano Art
by: Hymes, Sarah Nicole
Published: (2007) -
Jonathan Daniel Tepperman: Cultural Post Identity Art: History as a Vehicle for Modern Interpretation
by: Tepperman, Jonathan Daniel
Published: (2004) -
Slowenische bildende Kunst und ihre Einbindung in den mitteleuropäischen Raum
by: Damjan Prelovšek
Published: (2004-12-01) -
An examination of Post-Modernism in landscape architecture
by: Flickinger, Mark John, 1956-
Published: (1991)