“Not Your Grandmother’s Bible”—A Comparative Study of the Biblical Deluge Myth in Film

The biblical story of the Flood, which portrays a humanity worthy of annihilation, is the fundamental myth used by generations of interpreters as they radically criticized the society and culture in which they lived. Accordingly, the Deluge myth’s various versions and interpretations over...

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Bibliographic Details
Main Authors: Marianna Ruah-Midbar Shapiro, Lila Moore
Format: Article
Language:English
Published: MDPI AG 2019-09-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/10/10/542
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spelling doaj-2922d3ae5c624e9b9ab378aaa67c40242020-11-25T01:49:56ZengMDPI AGReligions2077-14442019-09-01101054210.3390/rel10100542rel10100542“Not Your Grandmother’s Bible”—A Comparative Study of the Biblical Deluge Myth in FilmMarianna Ruah-Midbar Shapiro0Lila Moore1Department of Mysticism and Spirituality, Zefat Academic College, Safed 1320611, IsraelDepartment of Mysticism and Spirituality, Zefat Academic College, Safed 1320611, IsraelThe biblical story of the Flood, which portrays a humanity worthy of annihilation, is the fundamental myth used by generations of interpreters as they radically criticized the society and culture in which they lived. Accordingly, the Deluge myth’s various versions and interpretations over the years mirror ever-changing cultural dilemmas and values. Our comparative−historic study observes this mirror and how changes in modern Western culture are reflected in it through the analysis of selected films. It exemplifies the representation and evolution of the Deluge myth in cinema from its inception to the present day, and demonstrates that the myth’s cinematic adaptation and its infusion with current interpretations turn it into an imminent apocalyptic threat. Apparently, the Flood becomes a relevant concern involving a wide scope of cultural, theological, and ethical issues, e.g., the problem of evil, ecology, the treatment of animals, family values, feminism, the Other, and deification of science and technology.https://www.mdpi.com/2077-1444/10/10/542popular culturedelugefloodapocalyptic and post-apocalyptic filmsbible filmsecologytheodicyecofeminismscience-fictionfeminismcomparative study
collection DOAJ
language English
format Article
sources DOAJ
author Marianna Ruah-Midbar Shapiro
Lila Moore
spellingShingle Marianna Ruah-Midbar Shapiro
Lila Moore
“Not Your Grandmother’s Bible”—A Comparative Study of the Biblical Deluge Myth in Film
Religions
popular culture
deluge
flood
apocalyptic and post-apocalyptic films
bible films
ecology
theodicy
ecofeminism
science-fiction
feminism
comparative study
author_facet Marianna Ruah-Midbar Shapiro
Lila Moore
author_sort Marianna Ruah-Midbar Shapiro
title “Not Your Grandmother’s Bible”—A Comparative Study of the Biblical Deluge Myth in Film
title_short “Not Your Grandmother’s Bible”—A Comparative Study of the Biblical Deluge Myth in Film
title_full “Not Your Grandmother’s Bible”—A Comparative Study of the Biblical Deluge Myth in Film
title_fullStr “Not Your Grandmother’s Bible”—A Comparative Study of the Biblical Deluge Myth in Film
title_full_unstemmed “Not Your Grandmother’s Bible”—A Comparative Study of the Biblical Deluge Myth in Film
title_sort “not your grandmother’s bible”—a comparative study of the biblical deluge myth in film
publisher MDPI AG
series Religions
issn 2077-1444
publishDate 2019-09-01
description The biblical story of the Flood, which portrays a humanity worthy of annihilation, is the fundamental myth used by generations of interpreters as they radically criticized the society and culture in which they lived. Accordingly, the Deluge myth’s various versions and interpretations over the years mirror ever-changing cultural dilemmas and values. Our comparative−historic study observes this mirror and how changes in modern Western culture are reflected in it through the analysis of selected films. It exemplifies the representation and evolution of the Deluge myth in cinema from its inception to the present day, and demonstrates that the myth’s cinematic adaptation and its infusion with current interpretations turn it into an imminent apocalyptic threat. Apparently, the Flood becomes a relevant concern involving a wide scope of cultural, theological, and ethical issues, e.g., the problem of evil, ecology, the treatment of animals, family values, feminism, the Other, and deification of science and technology.
topic popular culture
deluge
flood
apocalyptic and post-apocalyptic films
bible films
ecology
theodicy
ecofeminism
science-fiction
feminism
comparative study
url https://www.mdpi.com/2077-1444/10/10/542
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