Shared stakes, distributed investment: Socially engaged art and the financialization of social impact
This article examines the implications of the financialization of social impact and the emerging social impact bonds (SIBs) market for socially engaged art practices. How do SIBs, which allow for investment in social impact metrics, shift the broader contexts through which the value of social impact...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Edinburgh
2016-12-01
|
Series: | Finance and Society |
Online Access: | http://financeandsociety.ed.ac.uk/article/view/1725 |
id |
doaj-28ee289352124a1db47a09de0931caab |
---|---|
record_format |
Article |
spelling |
doaj-28ee289352124a1db47a09de0931caab2020-11-25T00:32:58ZengUniversity of EdinburghFinance and Society2059-59992016-12-01221112610.2218/finsoc.v2i2.17251725Shared stakes, distributed investment: Socially engaged art and the financialization of social impactEmily Rosamond0Arts University BournemouthThis article examines the implications of the financialization of social impact and the emerging social impact bonds (SIBs) market for socially engaged art practices. How do SIBs, which allow for investment in social impact metrics, shift the broader contexts through which the value of social impact is understood in art discourses? In the British context, recent projects by Assemble, Open School East and others do important social work, yet echo the logic of the social investment market by outsourcing social impact. Rather than dismissing socially engaged art initiatives as having been recuperated by financialized capitalism, I suggest the need to develop new ways of achieving a double reading of these works as they relate to – and upset the distinctions between – stakeholder and bondholder valuation.http://financeandsociety.ed.ac.uk/article/view/1725 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Emily Rosamond |
spellingShingle |
Emily Rosamond Shared stakes, distributed investment: Socially engaged art and the financialization of social impact Finance and Society |
author_facet |
Emily Rosamond |
author_sort |
Emily Rosamond |
title |
Shared stakes, distributed investment: Socially engaged art and the financialization of social impact |
title_short |
Shared stakes, distributed investment: Socially engaged art and the financialization of social impact |
title_full |
Shared stakes, distributed investment: Socially engaged art and the financialization of social impact |
title_fullStr |
Shared stakes, distributed investment: Socially engaged art and the financialization of social impact |
title_full_unstemmed |
Shared stakes, distributed investment: Socially engaged art and the financialization of social impact |
title_sort |
shared stakes, distributed investment: socially engaged art and the financialization of social impact |
publisher |
University of Edinburgh |
series |
Finance and Society |
issn |
2059-5999 |
publishDate |
2016-12-01 |
description |
This article examines the implications of the financialization of social impact and the emerging social impact bonds (SIBs) market for socially engaged art practices. How do SIBs, which allow for investment in social impact metrics, shift the broader contexts through which the value of social impact is understood in art discourses? In the British context, recent projects by Assemble, Open School East and others do important social work, yet echo the logic of the social investment market by outsourcing social impact. Rather than dismissing socially engaged art initiatives as having been recuperated by financialized capitalism, I suggest the need to develop new ways of achieving a double reading of these works as they relate to – and upset the distinctions between – stakeholder and bondholder valuation. |
url |
http://financeandsociety.ed.ac.uk/article/view/1725 |
work_keys_str_mv |
AT emilyrosamond sharedstakesdistributedinvestmentsociallyengagedartandthefinancializationofsocialimpact |
_version_ |
1725317970462244864 |