Sensing and Longing for God in Andrey Zvyagintsev’s The Return and Leviathan

Sensing and Longing for God in Andrey Zvyagintsev’s The Return and Leviathan

This article explores apophatic ways of presenting God (the Other) in two films of Andrey Zvyagintsev. The lens for this analysis is the phenomenological theology of John Panteleimon Manoussakis, using the following concepts: (1) God as personal Other; (2) the relational nature of God’s self-disclos...

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Bibliographic Details
Main Author: Denys Kondyuk
Format: Article
Language:English
Published: MDPI AG 2016-06-01
Series:Religions
Subjects:
icons
relationships
absence
theological aesthetics
interpersonal relations
theophany
Online Access:http://www.mdpi.com/2077-1444/7/7/82
Description
Summary:This article explores apophatic ways of presenting God (the Other) in two films of Andrey Zvyagintsev. The lens for this analysis is the phenomenological theology of John Panteleimon Manoussakis, using the following concepts: (1) God as personal Other; (2) the relational nature of God’s self-disclosure through prosopon; (3) God as revealed in space/sight; (4) God as revealed in hearing/time; and (5) God as revealed in touch/self-understanding. This analysis, pursued through close examination of Zvyagintsev’s The Return (2003) and Leviathan (2014), demonstrates the relevance of Manoussakis’s theology to the study of religion and film, particularly in its sensual and experiential themes and emphases.
ISSN:2077-1444

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