Conveying movement in music and prosody.

We investigated whether acoustic variation of musical properties can analogically convey descriptive information about an object. Specifically, we tested whether information from the temporal structure in music interacts with perception of a visual image to form an analog perceptual representation a...

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Main Authors: Stephen C Hedger, Howard C Nusbaum, Berthold Hoeckner
Format: Article
Language:English
Published: Public Library of Science (PLoS) 2013-01-01
Series:PLoS ONE
Online Access:http://europepmc.org/articles/PMC3797746?pdf=render
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spelling doaj-286b47197b0c41f2bbdab5c06b5ba6902020-11-25T01:59:46ZengPublic Library of Science (PLoS)PLoS ONE1932-62032013-01-01810e7674410.1371/journal.pone.0076744Conveying movement in music and prosody.Stephen C HedgerHoward C NusbaumBerthold HoecknerWe investigated whether acoustic variation of musical properties can analogically convey descriptive information about an object. Specifically, we tested whether information from the temporal structure in music interacts with perception of a visual image to form an analog perceptual representation as a natural part of music perception. In Experiment 1, listeners heard music with an accelerating or decelerating temporal pattern, and then saw a picture of a still or moving object and decided whether it was animate or inanimate--a task unrelated to the patterning of the music. Object classification was faster when musical motion matched visually depicted motion. In Experiment 2, participants heard spoken sentences that were accompanied by accelerating or decelerating music, and then were presented with a picture of a still or moving object. When motion information in the music matched motion information in the picture, participants were similarly faster to respond. Fast and slow temporal patterns without acceleration and deceleration, however, did not make participants faster when they saw a picture depicting congruent motion information (Experiment 3), suggesting that understanding temporal structure information in music may depend on specific metaphors about motion in music. Taken together, these results suggest that visuo-spatial referential information can be analogically conveyed and represented by music and can be integrated with speech or influence the understanding of speech.http://europepmc.org/articles/PMC3797746?pdf=render
collection DOAJ
language English
format Article
sources DOAJ
author Stephen C Hedger
Howard C Nusbaum
Berthold Hoeckner
spellingShingle Stephen C Hedger
Howard C Nusbaum
Berthold Hoeckner
Conveying movement in music and prosody.
PLoS ONE
author_facet Stephen C Hedger
Howard C Nusbaum
Berthold Hoeckner
author_sort Stephen C Hedger
title Conveying movement in music and prosody.
title_short Conveying movement in music and prosody.
title_full Conveying movement in music and prosody.
title_fullStr Conveying movement in music and prosody.
title_full_unstemmed Conveying movement in music and prosody.
title_sort conveying movement in music and prosody.
publisher Public Library of Science (PLoS)
series PLoS ONE
issn 1932-6203
publishDate 2013-01-01
description We investigated whether acoustic variation of musical properties can analogically convey descriptive information about an object. Specifically, we tested whether information from the temporal structure in music interacts with perception of a visual image to form an analog perceptual representation as a natural part of music perception. In Experiment 1, listeners heard music with an accelerating or decelerating temporal pattern, and then saw a picture of a still or moving object and decided whether it was animate or inanimate--a task unrelated to the patterning of the music. Object classification was faster when musical motion matched visually depicted motion. In Experiment 2, participants heard spoken sentences that were accompanied by accelerating or decelerating music, and then were presented with a picture of a still or moving object. When motion information in the music matched motion information in the picture, participants were similarly faster to respond. Fast and slow temporal patterns without acceleration and deceleration, however, did not make participants faster when they saw a picture depicting congruent motion information (Experiment 3), suggesting that understanding temporal structure information in music may depend on specific metaphors about motion in music. Taken together, these results suggest that visuo-spatial referential information can be analogically conveyed and represented by music and can be integrated with speech or influence the understanding of speech.
url http://europepmc.org/articles/PMC3797746?pdf=render
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