« Tutto era innominabile ma niente era inimmaginabile »
Joan Didion’s «The White Album» – the key essay of the 1979 nonfiction book of the same name – offers the reader a reflection on the ethical and aesthetic predicament of chronicling the countercultural Zeitgeist of 1960s California by imposing a narrative line on «stories without a narrative». To do...
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| Format: | Article |
| Language: | Spanish |
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Université d'Aix-Marseille
2019-06-01
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| Series: | Cahiers d’Études Romanes |
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| Online Access: | http://journals.openedition.org/etudesromanes/9052 |