Part II. Drama / Choreography5. Theater Dance Atelier

The substance of the spiritual and cultural life is the syncretism of the arts from the performer-spectator division, that was made concurrently with the “dance” segmentation into work and pleasure. Words were held in formulas, gestures and dance in rhythm. Today, dance is mostly seen as the art of...

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Main Author: Enache Lorette
Format: Article
Language:English
Published: Sciendo 2017-03-01
Series:Review of Artistic Education
Subjects:
Online Access:https://doi.org/10.1515/rae-2017-0016
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spelling doaj-279337d22ac341f68538049fc82f98df2021-09-05T14:00:06ZengSciendoReview of Artistic Education2501-238X2017-03-0113112512910.1515/rae-2017-0016rae-2017-0016Part II. Drama / Choreography5. Theater Dance AtelierEnache Lorette0“George Enescu” National University of Arts from Iaşi, RomaniaThe substance of the spiritual and cultural life is the syncretism of the arts from the performer-spectator division, that was made concurrently with the “dance” segmentation into work and pleasure. Words were held in formulas, gestures and dance in rhythm. Today, dance is mostly seen as the art of gesture. However, it is remarkable to reflect at to what extent the dance, as an organic necessity, it could further develop into hermetic structures that would still require analyses and studies from researchers in the field. In today‟s theatrical landscape, this formula of artistic expression which was called theatre dance evolved so much so that gesticulations and body exploration became its core components.https://doi.org/10.1515/rae-2017-0016syncretismtheaterartistic expression
collection DOAJ
language English
format Article
sources DOAJ
author Enache Lorette
spellingShingle Enache Lorette
Part II. Drama / Choreography5. Theater Dance Atelier
Review of Artistic Education
syncretism
theater
artistic expression
author_facet Enache Lorette
author_sort Enache Lorette
title Part II. Drama / Choreography5. Theater Dance Atelier
title_short Part II. Drama / Choreography5. Theater Dance Atelier
title_full Part II. Drama / Choreography5. Theater Dance Atelier
title_fullStr Part II. Drama / Choreography5. Theater Dance Atelier
title_full_unstemmed Part II. Drama / Choreography5. Theater Dance Atelier
title_sort part ii. drama / choreography5. theater dance atelier
publisher Sciendo
series Review of Artistic Education
issn 2501-238X
publishDate 2017-03-01
description The substance of the spiritual and cultural life is the syncretism of the arts from the performer-spectator division, that was made concurrently with the “dance” segmentation into work and pleasure. Words were held in formulas, gestures and dance in rhythm. Today, dance is mostly seen as the art of gesture. However, it is remarkable to reflect at to what extent the dance, as an organic necessity, it could further develop into hermetic structures that would still require analyses and studies from researchers in the field. In today‟s theatrical landscape, this formula of artistic expression which was called theatre dance evolved so much so that gesticulations and body exploration became its core components.
topic syncretism
theater
artistic expression
url https://doi.org/10.1515/rae-2017-0016
work_keys_str_mv AT enachelorette partiidramachoreography5theaterdanceatelier
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