Part II. Drama / Choreography5. Theater Dance Atelier
The substance of the spiritual and cultural life is the syncretism of the arts from the performer-spectator division, that was made concurrently with the “dance” segmentation into work and pleasure. Words were held in formulas, gestures and dance in rhythm. Today, dance is mostly seen as the art of...
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Online Access: | https://doi.org/10.1515/rae-2017-0016 |
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doaj-279337d22ac341f68538049fc82f98df2021-09-05T14:00:06ZengSciendoReview of Artistic Education2501-238X2017-03-0113112512910.1515/rae-2017-0016rae-2017-0016Part II. Drama / Choreography5. Theater Dance AtelierEnache Lorette0“George Enescu” National University of Arts from Iaşi, RomaniaThe substance of the spiritual and cultural life is the syncretism of the arts from the performer-spectator division, that was made concurrently with the “dance” segmentation into work and pleasure. Words were held in formulas, gestures and dance in rhythm. Today, dance is mostly seen as the art of gesture. However, it is remarkable to reflect at to what extent the dance, as an organic necessity, it could further develop into hermetic structures that would still require analyses and studies from researchers in the field. In today‟s theatrical landscape, this formula of artistic expression which was called theatre dance evolved so much so that gesticulations and body exploration became its core components.https://doi.org/10.1515/rae-2017-0016syncretismtheaterartistic expression |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Enache Lorette |
spellingShingle |
Enache Lorette Part II. Drama / Choreography5. Theater Dance Atelier Review of Artistic Education syncretism theater artistic expression |
author_facet |
Enache Lorette |
author_sort |
Enache Lorette |
title |
Part II. Drama / Choreography5. Theater Dance Atelier |
title_short |
Part II. Drama / Choreography5. Theater Dance Atelier |
title_full |
Part II. Drama / Choreography5. Theater Dance Atelier |
title_fullStr |
Part II. Drama / Choreography5. Theater Dance Atelier |
title_full_unstemmed |
Part II. Drama / Choreography5. Theater Dance Atelier |
title_sort |
part ii. drama / choreography5. theater dance atelier |
publisher |
Sciendo |
series |
Review of Artistic Education |
issn |
2501-238X |
publishDate |
2017-03-01 |
description |
The substance of the spiritual and cultural life is the syncretism of the arts from the performer-spectator division, that was made concurrently with the “dance” segmentation into work and pleasure. Words were held in formulas, gestures and dance in rhythm. Today, dance is mostly seen as the art of gesture. However, it is remarkable to reflect at to what extent the dance, as an organic necessity, it could further develop into hermetic structures that would still require analyses and studies from researchers in the field. In today‟s theatrical landscape, this formula of artistic expression which was called theatre dance evolved so much so that gesticulations and body exploration became its core components. |
topic |
syncretism theater artistic expression |
url |
https://doi.org/10.1515/rae-2017-0016 |
work_keys_str_mv |
AT enachelorette partiidramachoreography5theaterdanceatelier |
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1717812515190079488 |