Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”

The paper analyses three concepts of aesthetics of arts in Slovak aesthetics in the first third of the 19th century based on the ideas of three Slovak authors (Michal Greguš, Andrej Vandrák and Karol Kuzmány) who all shared creative reading of Kant and transformation of the process of “harmonization...

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Main Author:	Jana Soškova
Format:	Article
Language:	deu
Published:	Con-textos Kantianos 2015-11-01
Series:	Con-textos Kantianos: International Journal of Philosophy
Subjects:	Kant Aesthetics Harmonization Michal Greguš Andrej Vandrák Karol Kuzmány
Online Access:	https://www.con-textoskantianos.net/index.php/revista/article/view/94

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spelling	doaj-277717ef10804e98baf40b45cd03a0922020-11-25T00:14:45ZdeuCon-textos KantianosCon-textos Kantianos: International Journal of Philosophy2386-76552386-76552015-11-011215116183Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”Jana Soškova0Univ. Of PrešovThe paper analyses three concepts of aesthetics of arts in Slovak aesthetics in the first third of the 19th century based on the ideas of three Slovak authors (Michal Greguš, Andrej Vandrák and Karol Kuzmány) who all shared creative reading of Kant and transformation of the process of “harmonization” as a foundation of defining possible aesthetic potentiality of art.https://www.con-textoskantianos.net/index.php/revista/article/view/94KantAestheticsHarmonizationMichal GregušAndrej VandrákKarol Kuzmány
collection	DOAJ
language	deu
format	Article
sources	DOAJ
author	Jana Soškova
spellingShingle	Jana Soškova Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization” Con-textos Kantianos: International Journal of Philosophy Kant Aesthetics Harmonization Michal Greguš Andrej Vandrák Karol Kuzmány
author_facet	Jana Soškova
author_sort	Jana Soškova
title	Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”
title_short	Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”
title_full	Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”
title_fullStr	Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”
title_full_unstemmed	Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”
title_sort	concepts of “aesthetics of arts” in slovak aesthetics of the 19th century and kant’s conception of “harmonization”
publisher	Con-textos Kantianos
series	Con-textos Kantianos: International Journal of Philosophy
issn	2386-7655 2386-7655
publishDate	2015-11-01
description	The paper analyses three concepts of aesthetics of arts in Slovak aesthetics in the first third of the 19th century based on the ideas of three Slovak authors (Michal Greguš, Andrej Vandrák and Karol Kuzmány) who all shared creative reading of Kant and transformation of the process of “harmonization” as a foundation of defining possible aesthetic potentiality of art.
topic	Kant Aesthetics Harmonization Michal Greguš Andrej Vandrák Karol Kuzmány
url	https://www.con-textoskantianos.net/index.php/revista/article/view/94
work_keys_str_mv	AT janasoskova conceptsofaestheticsofartsinslovakaestheticsofthe19thcenturyandkantsconceptionofharmonization
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Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”

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