Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection
This article takes an existing collection of design objects, the I.L.E.A./Camberwell Collection, to discuss issues of expertise, connoisseurship, and taste-formation. The article examines how the discipline of design history provides appropriate methodologies which explain expertise and connoisseurs...
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Athabasca University Press
2015-12-01
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Online Access: | http://jrp.icaap.org/index.php/jrp/article/view/484 |
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doaj-274bc8343b2e495492f66763e2af1bb22020-11-24T23:48:13ZengAthabasca University Press Journal of Research Practice1712-851X2015-12-01112208Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell CollectionMaria Georgaki0University of the Arts LondonThis article takes an existing collection of design objects, the I.L.E.A./Camberwell Collection, to discuss issues of expertise, connoisseurship, and taste-formation. The article examines how the discipline of design history provides appropriate methodologies which explain expertise and connoisseurship in design with reference to the taste agenda informing the I.L.E.A./Camberwell Collection. The investigation focuses on disentangling and appraising the collection’s dual identity: as the repository of a historically contained notion of taste and as an active educational agent, being currently utilized in the University of the Arts London as a learning resource. The article proposes “handling” as a relevant research perspective. Handling’s particular advantages in investigating material culture are presented with reference to the increased importance of object-based learning and the need to extend the dominance of vision and language as the main learning modalities. The conclusion argues that while taste-formation on the principles of “good design” proved a flawed project, the practice of handling objects is of unique pedagogical value and fosters the development of expertise and connoisseurship in design.http://jrp.icaap.org/index.php/jrp/article/view/484design historymaterial culturepedagogical practiceobject-based learningsensory engagementcultural capitalconnoisseurial knowledge |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Maria Georgaki |
spellingShingle |
Maria Georgaki Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection Journal of Research Practice design history material culture pedagogical practice object-based learning sensory engagement cultural capital connoisseurial knowledge |
author_facet |
Maria Georgaki |
author_sort |
Maria Georgaki |
title |
Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection |
title_short |
Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection |
title_full |
Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection |
title_fullStr |
Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection |
title_full_unstemmed |
Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection |
title_sort |
developing expertise and connoisseurship through handling objects of good design: example of the i.l.e.a./camberwell collection |
publisher |
Athabasca University Press |
series |
Journal of Research Practice |
issn |
1712-851X |
publishDate |
2015-12-01 |
description |
This article takes an existing collection of design objects, the I.L.E.A./Camberwell Collection, to discuss issues of expertise, connoisseurship, and taste-formation. The article examines how the discipline of design history provides appropriate methodologies which explain expertise and connoisseurship in design with reference to the taste agenda informing the I.L.E.A./Camberwell Collection. The investigation focuses on disentangling and appraising the collection’s dual identity: as the repository of a historically contained notion of taste and as an active educational agent, being currently utilized in the University of the Arts London as a learning resource. The article proposes “handling” as a relevant research perspective. Handling’s particular advantages in investigating material culture are presented with reference to the increased importance of object-based learning and the need to extend the dominance of vision and language as the main learning modalities. The conclusion argues that while taste-formation on the principles of “good design” proved a flawed project, the practice of handling objects is of unique pedagogical value and fosters the development of expertise and connoisseurship in design. |
topic |
design history material culture pedagogical practice object-based learning sensory engagement cultural capital connoisseurial knowledge |
url |
http://jrp.icaap.org/index.php/jrp/article/view/484 |
work_keys_str_mv |
AT mariageorgaki developingexpertiseandconnoisseurshipthroughhandlingobjectsofgooddesignexampleoftheileacamberwellcollection |
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