Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection

This article takes an existing collection of design objects, the I.L.E.A./Camberwell Collection, to discuss issues of expertise, connoisseurship, and taste-formation. The article examines how the discipline of design history provides appropriate methodologies which explain expertise and connoisseurs...

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Main Author: Maria Georgaki
Format: Article
Language:English
Published: Athabasca University Press 2015-12-01
Series:Journal of Research Practice
Subjects:
Online Access:http://jrp.icaap.org/index.php/jrp/article/view/484
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spelling doaj-274bc8343b2e495492f66763e2af1bb22020-11-24T23:48:13ZengAthabasca University Press Journal of Research Practice1712-851X2015-12-01112208Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell CollectionMaria Georgaki0University of the Arts LondonThis article takes an existing collection of design objects, the I.L.E.A./Camberwell Collection, to discuss issues of expertise, connoisseurship, and taste-formation. The article examines how the discipline of design history provides appropriate methodologies which explain expertise and connoisseurship in design with reference to the taste agenda informing the I.L.E.A./Camberwell Collection. The investigation focuses on disentangling and appraising the collection’s dual identity: as the repository of a historically contained notion of taste and as an active educational agent, being currently utilized in the University of the Arts London as a learning resource. The article proposes “handling” as a relevant research perspective. Handling’s particular advantages in investigating material culture are presented with reference to the increased importance of object-based learning and the need to extend the dominance of vision and language as the main learning modalities. The conclusion argues that while taste-formation on the principles of “good design” proved a flawed project, the practice of handling objects is of unique pedagogical value and fosters the development of expertise and connoisseurship in design.http://jrp.icaap.org/index.php/jrp/article/view/484design historymaterial culturepedagogical practiceobject-based learningsensory engagementcultural capitalconnoisseurial knowledge
collection DOAJ
language English
format Article
sources DOAJ
author Maria Georgaki
spellingShingle Maria Georgaki
Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection
Journal of Research Practice
design history
material culture
pedagogical practice
object-based learning
sensory engagement
cultural capital
connoisseurial knowledge
author_facet Maria Georgaki
author_sort Maria Georgaki
title Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection
title_short Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection
title_full Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection
title_fullStr Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection
title_full_unstemmed Developing Expertise and Connoisseurship Through Handling Objects of Good Design: Example of the I.L.E.A./Camberwell Collection
title_sort developing expertise and connoisseurship through handling objects of good design: example of the i.l.e.a./camberwell collection
publisher Athabasca University Press
series Journal of Research Practice
issn 1712-851X
publishDate 2015-12-01
description This article takes an existing collection of design objects, the I.L.E.A./Camberwell Collection, to discuss issues of expertise, connoisseurship, and taste-formation. The article examines how the discipline of design history provides appropriate methodologies which explain expertise and connoisseurship in design with reference to the taste agenda informing the I.L.E.A./Camberwell Collection. The investigation focuses on disentangling and appraising the collection’s dual identity: as the repository of a historically contained notion of taste and as an active educational agent, being currently utilized in the University of the Arts London as a learning resource. The article proposes “handling” as a relevant research perspective. Handling’s particular advantages in investigating material culture are presented with reference to the increased importance of object-based learning and the need to extend the dominance of vision and language as the main learning modalities. The conclusion argues that while taste-formation on the principles of “good design” proved a flawed project, the practice of handling objects is of unique pedagogical value and fosters the development of expertise and connoisseurship in design.
topic design history
material culture
pedagogical practice
object-based learning
sensory engagement
cultural capital
connoisseurial knowledge
url http://jrp.icaap.org/index.php/jrp/article/view/484
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