Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō
This paper seeks to show how Takahashi Gen’ichirō exploits parody to show the critical function of self-reflexive literature in the novel Koisuru genpatsu. Coherently with his experience as a political activist in the sixties, Takahashi interprets literature as a revolutionary act of resistance;...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Edizioni Ca’ Foscari
2019-06-01
|
Series: | Annali di Ca’ Foscari: Serie Orientale |
Subjects: | |
Online Access: | https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-orientale/2019/55/politics-porn-and-parody-in-koi-suru-genpatsu-2011/ |
id |
doaj-2688d47da8aa4d08b2dbd9f197e8ed88 |
---|---|
record_format |
Article |
spelling |
doaj-2688d47da8aa4d08b2dbd9f197e8ed882021-06-02T06:30:19ZengEdizioni Ca’ FoscariAnnali di Ca’ Foscari: Serie Orientale2385-30422019-06-0155110.30687/AnnOr/2385-3042/2019/01/020journal_article_1730Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirōMazza, Caterina0Università Ca’ Foscari Venezia, Italia This paper seeks to show how Takahashi Gen’ichirō exploits parody to show the critical function of self-reflexive literature in the novel Koisuru genpatsu. Coherently with his experience as a political activist in the sixties, Takahashi interprets literature as a revolutionary act of resistance; it can be argued that he broadly embraces the conception of art – ideally inherited by Marcuse’s aesthetic – as a space for thought and action that makes resistance to the social status quo possible. Through the analysis of significant elements of the novel’s peritexts and epitexts, this article tries to reconstruct the web of signifiers that constructs the novel, in order to show how – in Takahashi’s concept of literature - every act of speech needs to be placed in a social structure, where the agency of discursive subjects always modifies the signifying process. https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-orientale/2019/55/politics-porn-and-parody-in-koi-suru-genpatsu-2011/Takahashi Gen’ichirō. 3/11 Literature. Contemporary Japanese Literature. Parody. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Mazza, Caterina |
spellingShingle |
Mazza, Caterina Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō Annali di Ca’ Foscari: Serie Orientale Takahashi Gen’ichirō. 3/11 Literature. Contemporary Japanese Literature. Parody. |
author_facet |
Mazza, Caterina |
author_sort |
Mazza, Caterina |
title |
Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō |
title_short |
Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō |
title_full |
Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō |
title_fullStr |
Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō |
title_full_unstemmed |
Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō |
title_sort |
politics, porn and parody in koi suru genpatsu (2011) by takahashi gen’ichirō |
publisher |
Edizioni Ca’ Foscari |
series |
Annali di Ca’ Foscari: Serie Orientale |
issn |
2385-3042 |
publishDate |
2019-06-01 |
description |
This paper seeks to show how Takahashi Gen’ichirō exploits parody to show the critical function of self-reflexive literature in the novel Koisuru genpatsu. Coherently with his experience as a political activist in the sixties, Takahashi interprets literature as a revolutionary act of resistance; it can be argued that he broadly embraces the conception of art – ideally inherited by Marcuse’s aesthetic – as a space for thought and action that makes resistance to the social status quo possible. Through the analysis of significant elements of the novel’s peritexts and epitexts, this article tries to reconstruct the web of signifiers that constructs the novel, in order to show how – in Takahashi’s concept of literature - every act of speech needs to be placed in a social structure, where the agency of discursive subjects always modifies the signifying process.
|
topic |
Takahashi Gen’ichirō. 3/11 Literature. Contemporary Japanese Literature. Parody. |
url |
https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-orientale/2019/55/politics-porn-and-parody-in-koi-suru-genpatsu-2011/ |
work_keys_str_mv |
AT mazzacaterina politicspornandparodyinkoisurugenpatsu2011bytakahashigenichiro |
_version_ |
1721407681420328960 |