Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)

Focusing on the burlesque performances of the alliance in the Andes, the article examines the singular ways in which local women engage in the playful field as word-mongers. Listening attentively to what these voices say in Quechua, this article questions this feminine peri-theatre. Based on a fine...

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Bibliographic Details
Main Author: Camille Riverti
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2021-07-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:http://journals.openedition.org/alhim/9530
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spelling doaj-2671296968484465bc0c2dcc9c89c0a82021-08-03T07:13:54ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752021-07-014110.4000/alhim.9530Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)Camille RivertiFocusing on the burlesque performances of the alliance in the Andes, the article examines the singular ways in which local women engage in the playful field as word-mongers. Listening attentively to what these voices say in Quechua, this article questions this feminine peri-theatre. Based on a fine analysis of burlesque scenarios and interactional strategies, it dissects the ways in which women play to cancel, dampen and subvert the ordinary differential valence of the sexes. Showing that interactional power can emanate from the periphery, the article depicts, in short, a political theatre where gender relations are questioned and worked on through humour.http://journals.openedition.org/alhim/9530farcequechuathéâtreburlesquepériphériefemmes
collection DOAJ
language Spanish
format Article
sources DOAJ
author Camille Riverti
spellingShingle Camille Riverti
Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)
Les Cahiers ALHIM
farce
quechua
théâtre
burlesque
périphérie
femmes
author_facet Camille Riverti
author_sort Camille Riverti
title Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)
title_short Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)
title_full Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)
title_fullStr Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)
title_full_unstemmed Les passeuses de parole. Une position féminine dans le théâtre burlesque de l’alliance (Andes)
title_sort les passeuses de parole. une position féminine dans le théâtre burlesque de l’alliance (andes)
publisher Groupe de Recherche Amérique Latine Histoire et Mémoire
series Les Cahiers ALHIM
issn 1628-6731
1777-5175
publishDate 2021-07-01
description Focusing on the burlesque performances of the alliance in the Andes, the article examines the singular ways in which local women engage in the playful field as word-mongers. Listening attentively to what these voices say in Quechua, this article questions this feminine peri-theatre. Based on a fine analysis of burlesque scenarios and interactional strategies, it dissects the ways in which women play to cancel, dampen and subvert the ordinary differential valence of the sexes. Showing that interactional power can emanate from the periphery, the article depicts, in short, a political theatre where gender relations are questioned and worked on through humour.
topic farce
quechua
théâtre
burlesque
périphérie
femmes
url http://journals.openedition.org/alhim/9530
work_keys_str_mv AT camilleriverti lespasseusesdeparoleunepositionfemininedansletheatreburlesquedelallianceandes
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