Post What? The Liminality of Multi-Racial Identity
This article, “Post What? The Liminality of Multi-Racial Identity,” argues that the successes and failures of 21st-century satire reveal the myth of post-raciality while simultaneously dismissing racial essentialism. I focus on three critical moments: the commercial success of Mat Johnson’s Loving D...
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2016-06-01
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doaj-2632a432cc4d4448896a8e90d51d868e2020-11-24T23:24:14ZengMDPI AGHumanities2076-07872016-06-01524610.3390/h5020046h5020046Post What? The Liminality of Multi-Racial IdentityDanielle Fuentes Morgan0Department of English, Santa Clara University, 500 El Camino Real, Santa Clara, CA 95053, USAThis article, “Post What? The Liminality of Multi-Racial Identity,” argues that the successes and failures of 21st-century satire reveal the myth of post-raciality while simultaneously dismissing racial essentialism. I focus on three critical moments: the commercial success of Mat Johnson’s Loving Day, a text and forthcoming television show that examines the shifting self-identities of mixed-race individuals; the inability of a potential love interest on the television series, Louie, to accept a black woman as the ex-wife of the titular protagonist’s phenotypically white daughters; and Barack Obama’s self-designation as “black” on the census shortly after his election. I argue that the widespread reach of these instances, coupled with audience engagement and response, underscores the ways that the public realm frames a contemporary understanding of race as both meaningful and absurd.http://www.mdpi.com/2076-0787/5/2/46multi-racialidentityBarack Obamapopular culturecritical race studieshumor studiestwenty-first-century studies |
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DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Danielle Fuentes Morgan |
spellingShingle |
Danielle Fuentes Morgan Post What? The Liminality of Multi-Racial Identity Humanities multi-racial identity Barack Obama popular culture critical race studies humor studies twenty-first-century studies |
author_facet |
Danielle Fuentes Morgan |
author_sort |
Danielle Fuentes Morgan |
title |
Post What? The Liminality of Multi-Racial Identity |
title_short |
Post What? The Liminality of Multi-Racial Identity |
title_full |
Post What? The Liminality of Multi-Racial Identity |
title_fullStr |
Post What? The Liminality of Multi-Racial Identity |
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Post What? The Liminality of Multi-Racial Identity |
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post what? the liminality of multi-racial identity |
publisher |
MDPI AG |
series |
Humanities |
issn |
2076-0787 |
publishDate |
2016-06-01 |
description |
This article, “Post What? The Liminality of Multi-Racial Identity,” argues that the successes and failures of 21st-century satire reveal the myth of post-raciality while simultaneously dismissing racial essentialism. I focus on three critical moments: the commercial success of Mat Johnson’s Loving Day, a text and forthcoming television show that examines the shifting self-identities of mixed-race individuals; the inability of a potential love interest on the television series, Louie, to accept a black woman as the ex-wife of the titular protagonist’s phenotypically white daughters; and Barack Obama’s self-designation as “black” on the census shortly after his election. I argue that the widespread reach of these instances, coupled with audience engagement and response, underscores the ways that the public realm frames a contemporary understanding of race as both meaningful and absurd. |
topic |
multi-racial identity Barack Obama popular culture critical race studies humor studies twenty-first-century studies |
url |
http://www.mdpi.com/2076-0787/5/2/46 |
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