Post What? The Liminality of Multi-Racial Identity

This article, “Post What? The Liminality of Multi-Racial Identity,” argues that the successes and failures of 21st-century satire reveal the myth of post-raciality while simultaneously dismissing racial essentialism. I focus on three critical moments: the commercial success of Mat Johnson’s Loving D...

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Main Author: Danielle Fuentes Morgan
Format: Article
Language:English
Published: MDPI AG 2016-06-01
Series:Humanities
Subjects:
Online Access:http://www.mdpi.com/2076-0787/5/2/46
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spelling doaj-2632a432cc4d4448896a8e90d51d868e2020-11-24T23:24:14ZengMDPI AGHumanities2076-07872016-06-01524610.3390/h5020046h5020046Post What? The Liminality of Multi-Racial IdentityDanielle Fuentes Morgan0Department of English, Santa Clara University, 500 El Camino Real, Santa Clara, CA 95053, USAThis article, “Post What? The Liminality of Multi-Racial Identity,” argues that the successes and failures of 21st-century satire reveal the myth of post-raciality while simultaneously dismissing racial essentialism. I focus on three critical moments: the commercial success of Mat Johnson’s Loving Day, a text and forthcoming television show that examines the shifting self-identities of mixed-race individuals; the inability of a potential love interest on the television series, Louie, to accept a black woman as the ex-wife of the titular protagonist’s phenotypically white daughters; and Barack Obama’s self-designation as “black” on the census shortly after his election. I argue that the widespread reach of these instances, coupled with audience engagement and response, underscores the ways that the public realm frames a contemporary understanding of race as both meaningful and absurd.http://www.mdpi.com/2076-0787/5/2/46multi-racialidentityBarack Obamapopular culturecritical race studieshumor studiestwenty-first-century studies
collection DOAJ
language English
format Article
sources DOAJ
author Danielle Fuentes Morgan
spellingShingle Danielle Fuentes Morgan
Post What? The Liminality of Multi-Racial Identity
Humanities
multi-racial
identity
Barack Obama
popular culture
critical race studies
humor studies
twenty-first-century studies
author_facet Danielle Fuentes Morgan
author_sort Danielle Fuentes Morgan
title Post What? The Liminality of Multi-Racial Identity
title_short Post What? The Liminality of Multi-Racial Identity
title_full Post What? The Liminality of Multi-Racial Identity
title_fullStr Post What? The Liminality of Multi-Racial Identity
title_full_unstemmed Post What? The Liminality of Multi-Racial Identity
title_sort post what? the liminality of multi-racial identity
publisher MDPI AG
series Humanities
issn 2076-0787
publishDate 2016-06-01
description This article, “Post What? The Liminality of Multi-Racial Identity,” argues that the successes and failures of 21st-century satire reveal the myth of post-raciality while simultaneously dismissing racial essentialism. I focus on three critical moments: the commercial success of Mat Johnson’s Loving Day, a text and forthcoming television show that examines the shifting self-identities of mixed-race individuals; the inability of a potential love interest on the television series, Louie, to accept a black woman as the ex-wife of the titular protagonist’s phenotypically white daughters; and Barack Obama’s self-designation as “black” on the census shortly after his election. I argue that the widespread reach of these instances, coupled with audience engagement and response, underscores the ways that the public realm frames a contemporary understanding of race as both meaningful and absurd.
topic multi-racial
identity
Barack Obama
popular culture
critical race studies
humor studies
twenty-first-century studies
url http://www.mdpi.com/2076-0787/5/2/46
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