AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances

As part of an aesthetic approach, this design-driven research crosses two methodologies to determine what is common in the perception of atmospheres. First, a case study of the Vals’ thermal baths led to the selection of five different atmospheres, which were then analyzed through Gaston Bachelard’s...

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Main Author: Sioui Gregory Brais
Format: Article
Language:English
Published: EDP Sciences 2019-01-01
Series:SHS Web of Conferences
Online Access:https://www.shs-conferences.org/articles/shsconf/pdf/2019/05/shsconf_eaea142019_03003.pdf
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spelling doaj-261d58ade30b4a6191464f911664f55b2021-02-02T05:35:53ZengEDP SciencesSHS Web of Conferences2261-24242019-01-01640300310.1051/shsconf/20196403003shsconf_eaea142019_03003AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiancesSioui Gregory BraisAs part of an aesthetic approach, this design-driven research crosses two methodologies to determine what is common in the perception of atmospheres. First, a case study of the Vals’ thermal baths led to the selection of five different atmospheres, which were then analyzed through Gaston Bachelard’s lens, using his book L’Eau et les rêves. Bachelard’s literary symbols echo in the water contained in the massive stone walls of Vals to identify common generators of sensitive atmospheres. Secondly, the construction of this dialogue between Bachelard and Zumthor leads to the elaboration of a conceptual architecture project which is voluntarily emotional. This project introduces the elements that generate five ambiences identified in the case study. This design-driven research is therefore based on Grégoire Chelkoff’s theory of formants as vectors of transmission of atmosphere, pre-existing to the experienc of a place, of an ambiance, which itself is understood as a sensitive result of the perception of the space. The present work therefore questions the role of water as a sensitive vector, from the architecture to its visitor. The goal is to determine how water, in varying manifestations, can be used by architects to create a “mise en scène” for a voluntarily emotional architecture.https://www.shs-conferences.org/articles/shsconf/pdf/2019/05/shsconf_eaea142019_03003.pdf
collection DOAJ
language English
format Article
sources DOAJ
author Sioui Gregory Brais
spellingShingle Sioui Gregory Brais
AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances
SHS Web of Conferences
author_facet Sioui Gregory Brais
author_sort Sioui Gregory Brais
title AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances
title_short AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances
title_full AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances
title_fullStr AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances
title_full_unstemmed AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances
title_sort ambiantal architecture − defining the role of water in the aesthetic experience of sensitive architectural ambiances
publisher EDP Sciences
series SHS Web of Conferences
issn 2261-2424
publishDate 2019-01-01
description As part of an aesthetic approach, this design-driven research crosses two methodologies to determine what is common in the perception of atmospheres. First, a case study of the Vals’ thermal baths led to the selection of five different atmospheres, which were then analyzed through Gaston Bachelard’s lens, using his book L’Eau et les rêves. Bachelard’s literary symbols echo in the water contained in the massive stone walls of Vals to identify common generators of sensitive atmospheres. Secondly, the construction of this dialogue between Bachelard and Zumthor leads to the elaboration of a conceptual architecture project which is voluntarily emotional. This project introduces the elements that generate five ambiences identified in the case study. This design-driven research is therefore based on Grégoire Chelkoff’s theory of formants as vectors of transmission of atmosphere, pre-existing to the experienc of a place, of an ambiance, which itself is understood as a sensitive result of the perception of the space. The present work therefore questions the role of water as a sensitive vector, from the architecture to its visitor. The goal is to determine how water, in varying manifestations, can be used by architects to create a “mise en scène” for a voluntarily emotional architecture.
url https://www.shs-conferences.org/articles/shsconf/pdf/2019/05/shsconf_eaea142019_03003.pdf
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