A viagem das histórias: da voz ao livro, do livro à voz, da voz ao palco

The article discusses a project conducted in southwest England, now in its third year, based on oral retellings of different ancient myths and contemporary literature in schools, aimed at the recreation of the stories by children on stage. The author explores four main aspects of the children's...

Full description

Bibliographic Details
Main Author: Geoff Fox
Format: Article
Language:Portuguese
Published: Universidade de Santa Cruz do Sul 2014-07-01
Series:Signo
Online Access:https://online.unisc.br/seer/index.php/signo/article/view/4925
id doaj-25ee482478004c4d9a5454d3364e89bf
record_format Article
spelling doaj-25ee482478004c4d9a5454d3364e89bf2020-11-24T21:54:05ZporUniversidade de Santa Cruz do SulSigno0101-18121982-20142014-07-013966223510.17058/signo.v39i66.49252314A viagem das histórias: da voz ao livro, do livro à voz, da voz ao palcoGeoff Fox0University of ExeterThe article discusses a project conducted in southwest England, now in its third year, based on oral retellings of different ancient myths and contemporary literature in schools, aimed at the recreation of the stories by children on stage. The author explores four main aspects of the children's involvement with narrated stories. The first is their deep belief in stories told orally, which is understood as rich ground for future work, whether it is writing, visual artwork, or as in this case, the creation of a new piece of drama. The second aspect is memorability, specially valuable in the context of a play-making project that needs to involve every child in mixed ability classes, going beyond conventional academic ability. The third aspect is the story power to promote the inventiveness of children, particularly if they can count on a teacher who listens to, prompts and encourages them to recreate the stories. The last aspect is a sense of community, which involves a shared ownership of the story: from responsive teaching, comes children’s confidence and desire to help each other develop theatre through language, movement, costume, music and visual art. The article concludes emphasizing that children's abilities to believe, remember, invent and create communities - abilities that listening to and playing with stories in school settings help promote - are crucial to their literary and aesthetic experience in a broader sense.https://online.unisc.br/seer/index.php/signo/article/view/4925
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Geoff Fox
spellingShingle Geoff Fox
A viagem das histórias: da voz ao livro, do livro à voz, da voz ao palco
Signo
author_facet Geoff Fox
author_sort Geoff Fox
title A viagem das histórias: da voz ao livro, do livro à voz, da voz ao palco
title_short A viagem das histórias: da voz ao livro, do livro à voz, da voz ao palco
title_full A viagem das histórias: da voz ao livro, do livro à voz, da voz ao palco
title_fullStr A viagem das histórias: da voz ao livro, do livro à voz, da voz ao palco
title_full_unstemmed A viagem das histórias: da voz ao livro, do livro à voz, da voz ao palco
title_sort viagem das histórias: da voz ao livro, do livro à voz, da voz ao palco
publisher Universidade de Santa Cruz do Sul
series Signo
issn 0101-1812
1982-2014
publishDate 2014-07-01
description The article discusses a project conducted in southwest England, now in its third year, based on oral retellings of different ancient myths and contemporary literature in schools, aimed at the recreation of the stories by children on stage. The author explores four main aspects of the children's involvement with narrated stories. The first is their deep belief in stories told orally, which is understood as rich ground for future work, whether it is writing, visual artwork, or as in this case, the creation of a new piece of drama. The second aspect is memorability, specially valuable in the context of a play-making project that needs to involve every child in mixed ability classes, going beyond conventional academic ability. The third aspect is the story power to promote the inventiveness of children, particularly if they can count on a teacher who listens to, prompts and encourages them to recreate the stories. The last aspect is a sense of community, which involves a shared ownership of the story: from responsive teaching, comes children’s confidence and desire to help each other develop theatre through language, movement, costume, music and visual art. The article concludes emphasizing that children's abilities to believe, remember, invent and create communities - abilities that listening to and playing with stories in school settings help promote - are crucial to their literary and aesthetic experience in a broader sense.
url https://online.unisc.br/seer/index.php/signo/article/view/4925
work_keys_str_mv AT geofffox aviagemdashistoriasdavozaolivrodolivroavozdavozaopalco
AT geofffox viagemdashistoriasdavozaolivrodolivroavozdavozaopalco
_version_ 1725869111891722240