The Actor “Comes to Live”. Dialogue between Lessing and Diderot
The actor is a man who can give the impression of a life which is not his. Such as in a painting, where colors make it live, the actor through his own body seems to be animated as well. Starting from Denis Diderot's and Gotthold Ephraim Lessing's work, I will discuss the nature of this “an...
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| Format: | Article |
| Language: | English |
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University of Bucharest Publishing House
2014-11-01
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| Series: | Styles of Communication |
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| Online Access: | http://journals.univ-danubius.ro/index.php/communication/article/view/2532 |
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doaj-25ed31193b8247ec96f9c126178b19282020-11-24T22:09:30ZengUniversity of Bucharest Publishing HouseStyles of Communication2065-79432067-564X2014-11-01617393The Actor “Comes to Live”. Dialogue between Lessing and DiderotCéline Huot0Paris IV-Sorbonne, FranceThe actor is a man who can give the impression of a life which is not his. Such as in a painting, where colors make it live, the actor through his own body seems to be animated as well. Starting from Denis Diderot's and Gotthold Ephraim Lessing's work, I will discuss the nature of this “anima”: the way between flying ideas and concrete body on stage. The main objective for understanding this particular move will be to know the following aspects : In which spatio-temporal framework does it exist? Does it require an expert to understand drama? Can it be linked to a space and/or time research? Does this particular control of his senses owned by the actor involve a singular link to time and space?http://journals.univ-danubius.ro/index.php/communication/article/view/2532theateraesthetic philosophyperformance spacetemporalitysubjectivitycriticismEnlightenment philosophyart |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Céline Huot |
| spellingShingle |
Céline Huot The Actor “Comes to Live”. Dialogue between Lessing and Diderot Styles of Communication theater aesthetic philosophy performance space temporality subjectivity criticism Enlightenment philosophy art |
| author_facet |
Céline Huot |
| author_sort |
Céline Huot |
| title |
The Actor “Comes to Live”. Dialogue between Lessing and Diderot |
| title_short |
The Actor “Comes to Live”. Dialogue between Lessing and Diderot |
| title_full |
The Actor “Comes to Live”. Dialogue between Lessing and Diderot |
| title_fullStr |
The Actor “Comes to Live”. Dialogue between Lessing and Diderot |
| title_full_unstemmed |
The Actor “Comes to Live”. Dialogue between Lessing and Diderot |
| title_sort |
actor “comes to live”. dialogue between lessing and diderot |
| publisher |
University of Bucharest Publishing House |
| series |
Styles of Communication |
| issn |
2065-7943 2067-564X |
| publishDate |
2014-11-01 |
| description |
The actor is a man who can give the impression of a life which is not his. Such as in a painting, where colors make it live, the actor through his own body seems to be animated as well. Starting from Denis Diderot's and Gotthold Ephraim Lessing's work, I will discuss the nature of this “anima”: the way between flying ideas and concrete body on stage. The main objective for understanding this particular move will be to know the following aspects : In which spatio-temporal framework does it exist? Does it require an expert to understand drama? Can it be linked to a space and/or time research? Does this particular control of his senses owned by the actor involve a singular link to time and space? |
| topic |
theater aesthetic philosophy performance space temporality subjectivity criticism Enlightenment philosophy art |
| url |
http://journals.univ-danubius.ro/index.php/communication/article/view/2532 |
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