The Play's the Thing

The question, "What are the effects of the exhibition of restoration?" implies ethical concerns about the "specularisation" of our profession.  This is a question of pragmatics and/or analysis.  This essay will examine language, used in our profession, to elucidate th...

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Bibliographic Details
Main Author: Annlinn Kruger
Format: Article
Language:English
Published: Association CeROArt 2010-04-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:http://journals.openedition.org/ceroart/1417
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spelling doaj-256f2ad6dcd343aaab1490000ced79e82020-11-25T02:13:06ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922010-04-01510.4000/ceroart.1417The Play's the ThingAnnlinn KrugerThe question, "What are the effects of the exhibition of restoration?" implies ethical concerns about the "specularisation" of our profession.  This is a question of pragmatics and/or analysis.  This essay will examine language, used in our profession, to elucidate the question.  Preservation of performance and process art will be used as an example to illustrate contradictions in our terms and suggest approaches to our question.http://journals.openedition.org/ceroart/1417conservationethicsexhibitionlanguageperformancetheory
collection DOAJ
language English
format Article
sources DOAJ
author Annlinn Kruger
spellingShingle Annlinn Kruger
The Play's the Thing
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
conservation
ethics
exhibition
language
performance
theory
author_facet Annlinn Kruger
author_sort Annlinn Kruger
title The Play's the Thing
title_short The Play's the Thing
title_full The Play's the Thing
title_fullStr The Play's the Thing
title_full_unstemmed The Play's the Thing
title_sort play's the thing
publisher Association CeROArt
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
issn 1784-5092
publishDate 2010-04-01
description The question, "What are the effects of the exhibition of restoration?" implies ethical concerns about the "specularisation" of our profession.  This is a question of pragmatics and/or analysis.  This essay will examine language, used in our profession, to elucidate the question.  Preservation of performance and process art will be used as an example to illustrate contradictions in our terms and suggest approaches to our question.
topic conservation
ethics
exhibition
language
performance
theory
url http://journals.openedition.org/ceroart/1417
work_keys_str_mv AT annlinnkruger theplaysthething
AT annlinnkruger playsthething
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