Olhar e memória na percepção cinematográfica

Olhar e memória na percepção cinematográfica

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The present article has two main goals: in first place, to analyse both concepts of perception and memory in cinema on Maurice Merleau-Ponty's text, “Le Cinéma et la Nouvelle Psychologie”, and, in second place, to analyse the same concepts in Christopher Nolan's film, Memento. We will take...

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Bibliographic Details
Main Author: Susana Isabel Rainho Viegas
Format: Article
Language:deu
Published: Universidade Federal do Rio Grande do Norte 2008-12-01
Series:Princípios
Subjects:
Memory
Merleau-Ponty
Philosophy of Film
Online Access:http://www.principios.cchla.ufrn.br/24P-31-44.pdf
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spelling doaj-253ef07b4fb542e998aa078a4772905c2020-11-24T22:27:59ZdeuUniversidade Federal do Rio Grande do NortePrincípios0104-86941983-21092008-12-0115243144Olhar e memória na percepção cinematográficaSusana Isabel Rainho ViegasThe present article has two main goals: in first place, to analyse both concepts of perception and memory in cinema on Maurice Merleau-Ponty's text, “Le Cinéma et la Nouvelle Psychologie”, and, in second place, to analyse the same concepts in Christopher Nolan's film, Memento. We will take as reference Merleau-Ponty's phenomenology of perception in order to understand the philosophical interest of this particular film.http://www.principios.cchla.ufrn.br/24P-31-44.pdfMemoryMerleau-PontyPhilosophy of Film
collection DOAJ
language deu
format Article
sources DOAJ
author Susana Isabel Rainho Viegas
spellingShingle Susana Isabel Rainho Viegas
Olhar e memória na percepção cinematográfica
Princípios
Memory
Merleau-Ponty
Philosophy of Film
author_facet Susana Isabel Rainho Viegas
author_sort Susana Isabel Rainho Viegas
title Olhar e memória na percepção cinematográfica
title_short Olhar e memória na percepção cinematográfica
title_full Olhar e memória na percepção cinematográfica
title_fullStr Olhar e memória na percepção cinematográfica
title_full_unstemmed Olhar e memória na percepção cinematográfica
title_sort olhar e memória na percepção cinematográfica
publisher Universidade Federal do Rio Grande do Norte
series Princípios
issn 0104-8694
1983-2109
publishDate 2008-12-01
description The present article has two main goals: in first place, to analyse both concepts of perception and memory in cinema on Maurice Merleau-Ponty's text, “Le Cinéma et la Nouvelle Psychologie”, and, in second place, to analyse the same concepts in Christopher Nolan's film, Memento. We will take as reference Merleau-Ponty's phenomenology of perception in order to understand the philosophical interest of this particular film.
topic Memory
Merleau-Ponty
Philosophy of Film
url http://www.principios.cchla.ufrn.br/24P-31-44.pdf
work_keys_str_mv AT susanaisabelrainhoviegas olharememorianapercepcaocinematografica
_version_ 1725748177569579008

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