'SUPERCARGO', the Art of Peter Moosgaard

A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienn...

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Main Author: Martin Ochsenhofer
Format: Article
Language:English
Published: Extreme Anthropology Research Network 2017-09-01
Series:Journal of Extreme Anthropology
Subjects:
Online Access:https://journals.uio.no/JEA/article/view/4885
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spelling doaj-24f7cbf76f96427daa02c8aaabc815c22020-11-25T03:40:31ZengExtreme Anthropology Research NetworkJournal of Extreme Anthropology2535-32412017-09-011210.5617/jea.4885'SUPERCARGO', the Art of Peter MoosgaardMartin Ochsenhofer0University of ViennaA student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. This essay considers the ways in which our need for differentiation on one hand and identification on the other shapes our relation to commodites and fuels their magical, fetishistic properties. Using the case of Peter Moosgaard's art project SUPERCARGO, it is argued that this art piece can unsettle the way we conceive of commodities, and reveal what may have previously been unconscious.https://journals.uio.no/JEA/article/view/4885commodity fetishismconsumerismdifferentiationidentificationPeter Moosgaardcargo cults
collection DOAJ
language English
format Article
sources DOAJ
author Martin Ochsenhofer
spellingShingle Martin Ochsenhofer
'SUPERCARGO', the Art of Peter Moosgaard
Journal of Extreme Anthropology
commodity fetishism
consumerism
differentiation
identification
Peter Moosgaard
cargo cults
author_facet Martin Ochsenhofer
author_sort Martin Ochsenhofer
title 'SUPERCARGO', the Art of Peter Moosgaard
title_short 'SUPERCARGO', the Art of Peter Moosgaard
title_full 'SUPERCARGO', the Art of Peter Moosgaard
title_fullStr 'SUPERCARGO', the Art of Peter Moosgaard
title_full_unstemmed 'SUPERCARGO', the Art of Peter Moosgaard
title_sort 'supercargo', the art of peter moosgaard
publisher Extreme Anthropology Research Network
series Journal of Extreme Anthropology
issn 2535-3241
publishDate 2017-09-01
description A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. This essay considers the ways in which our need for differentiation on one hand and identification on the other shapes our relation to commodites and fuels their magical, fetishistic properties. Using the case of Peter Moosgaard's art project SUPERCARGO, it is argued that this art piece can unsettle the way we conceive of commodities, and reveal what may have previously been unconscious.
topic commodity fetishism
consumerism
differentiation
identification
Peter Moosgaard
cargo cults
url https://journals.uio.no/JEA/article/view/4885
work_keys_str_mv AT martinochsenhofer supercargotheartofpetermoosgaard
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