The Emotional Museum. Thoughts on the “Secular Relics” of Nineteenth-Century History Museums in Paris and their Posterity
This article examines the discourse elaborated in Paris’ historical museums during the nineteenth century through the display of personal, private objects “having belonged to” famous historical figures, artistes and writers. How and why do we exhibit objects in and of themselves as banal as the hand...
Main Author: | Felicity Bodenstein |
---|---|
Format: | Article |
Language: | deu |
Published: |
Conserveries Mémorielles
2011-04-01
|
Series: | Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs |
Online Access: | http://journals.openedition.org/cm/834 |
Similar Items
-
Secular relics : narrative objects and material biography in the museums of Darwin, Elgar & Holmes
by: Morris, C.
Published: (2017) -
The study of museum poster:Case of national history museum(1996-2002)
by: 張秀雯
Published: (2004) -
‘Visual Histories’ Science Visualization in Nineteenth-Century Natural History Museums
by: Stefanie Jovanovic-Kruspel
Published: (2019-11-01) -
Concert posters from the National Museum of History of Moldova
by: Vera Stăvilă
Published: (2014-12-01) -
Research on the Insurance of Archaeological Relics in Museum Collection
by: 温筑婷
Published: (2010)