Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment

This paper presents a multi-media textual collage that shows rather than tells the lived experiences of my conversion of a DIY campervan over several months in a diesel mechanic workshop in Sydney, Australia. This is a “small culture,” (Holliday, 1999) to which I gained limited access as I develope...

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Main Author: Phiona Stanley
Format: Article
Language:English
Published: University of Alberta 2019-02-01
Series:Art/Research International
Subjects:
Online Access:https://journals.library.ualberta.ca/ari/index.php/ari/article/view/29382
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spelling doaj-2463785c514548ba9c4fd214c30719a12020-11-25T03:41:48ZengUniversity of AlbertaArt/Research International2371-37712019-02-014110.18432/ari2938229382Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine EnvironmentPhiona Stanley0Edinburgh Napier University This paper presents a multi-media textual collage that shows rather than tells the lived experiences of my conversion of a DIY campervan over several months in a diesel mechanic workshop in Sydney, Australia. This is a “small culture,” (Holliday, 1999) to which I gained limited access as I developed craft skills and the confidence to speak back to relative, milieu-specific, gendered power. I use autoethnographic textual fragments written shortly after the moment to depict the struggle to acquire skills, build confidence, and cross “small” cultures in an unusual crafting context. Grounded theoretical insights are suggested as they relate to three things. First, I examine the nature of individual, self-directed learning as engendered by the non-expert, hands-on doing of craft supported by YouTube instructional videos. Second, I consider positive and negative affective identity factors, particularly feelings of competence or incompetence and challenges to my own (female, middle-aged, injured, and non-expert) embodiment. Third, I consider the collaborative, discursive ways in which hegemonic and non-hegemonic masculinities were talked into being as contingent, relational identities against the foil of a constructed “other.” https://journals.library.ualberta.ca/ari/index.php/ari/article/view/29382adult learninggendercraftidentityautoethnographywellbeing
collection DOAJ
language English
format Article
sources DOAJ
author Phiona Stanley
spellingShingle Phiona Stanley
Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment
Art/Research International
adult learning
gender
craft
identity
autoethnography
wellbeing
author_facet Phiona Stanley
author_sort Phiona Stanley
title Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment
title_short Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment
title_full Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment
title_fullStr Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment
title_full_unstemmed Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment
title_sort crafting a diy campervan and crafting embodied, gendered identity performances in a hyper-masculine environment
publisher University of Alberta
series Art/Research International
issn 2371-3771
publishDate 2019-02-01
description This paper presents a multi-media textual collage that shows rather than tells the lived experiences of my conversion of a DIY campervan over several months in a diesel mechanic workshop in Sydney, Australia. This is a “small culture,” (Holliday, 1999) to which I gained limited access as I developed craft skills and the confidence to speak back to relative, milieu-specific, gendered power. I use autoethnographic textual fragments written shortly after the moment to depict the struggle to acquire skills, build confidence, and cross “small” cultures in an unusual crafting context. Grounded theoretical insights are suggested as they relate to three things. First, I examine the nature of individual, self-directed learning as engendered by the non-expert, hands-on doing of craft supported by YouTube instructional videos. Second, I consider positive and negative affective identity factors, particularly feelings of competence or incompetence and challenges to my own (female, middle-aged, injured, and non-expert) embodiment. Third, I consider the collaborative, discursive ways in which hegemonic and non-hegemonic masculinities were talked into being as contingent, relational identities against the foil of a constructed “other.”
topic adult learning
gender
craft
identity
autoethnography
wellbeing
url https://journals.library.ualberta.ca/ari/index.php/ari/article/view/29382
work_keys_str_mv AT phionastanley craftingadiycampervanandcraftingembodiedgenderedidentityperformancesinahypermasculineenvironment
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