Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment
This paper presents a multi-media textual collage that shows rather than tells the lived experiences of my conversion of a DIY campervan over several months in a diesel mechanic workshop in Sydney, Australia. This is a “small culture,” (Holliday, 1999) to which I gained limited access as I develope...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Alberta
2019-02-01
|
Series: | Art/Research International |
Subjects: | |
Online Access: | https://journals.library.ualberta.ca/ari/index.php/ari/article/view/29382 |
id |
doaj-2463785c514548ba9c4fd214c30719a1 |
---|---|
record_format |
Article |
spelling |
doaj-2463785c514548ba9c4fd214c30719a12020-11-25T03:41:48ZengUniversity of AlbertaArt/Research International2371-37712019-02-014110.18432/ari2938229382Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine EnvironmentPhiona Stanley0Edinburgh Napier University This paper presents a multi-media textual collage that shows rather than tells the lived experiences of my conversion of a DIY campervan over several months in a diesel mechanic workshop in Sydney, Australia. This is a “small culture,” (Holliday, 1999) to which I gained limited access as I developed craft skills and the confidence to speak back to relative, milieu-specific, gendered power. I use autoethnographic textual fragments written shortly after the moment to depict the struggle to acquire skills, build confidence, and cross “small” cultures in an unusual crafting context. Grounded theoretical insights are suggested as they relate to three things. First, I examine the nature of individual, self-directed learning as engendered by the non-expert, hands-on doing of craft supported by YouTube instructional videos. Second, I consider positive and negative affective identity factors, particularly feelings of competence or incompetence and challenges to my own (female, middle-aged, injured, and non-expert) embodiment. Third, I consider the collaborative, discursive ways in which hegemonic and non-hegemonic masculinities were talked into being as contingent, relational identities against the foil of a constructed “other.” https://journals.library.ualberta.ca/ari/index.php/ari/article/view/29382adult learninggendercraftidentityautoethnographywellbeing |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Phiona Stanley |
spellingShingle |
Phiona Stanley Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment Art/Research International adult learning gender craft identity autoethnography wellbeing |
author_facet |
Phiona Stanley |
author_sort |
Phiona Stanley |
title |
Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment |
title_short |
Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment |
title_full |
Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment |
title_fullStr |
Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment |
title_full_unstemmed |
Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment |
title_sort |
crafting a diy campervan and crafting embodied, gendered identity performances in a hyper-masculine environment |
publisher |
University of Alberta |
series |
Art/Research International |
issn |
2371-3771 |
publishDate |
2019-02-01 |
description |
This paper presents a multi-media textual collage that shows rather than tells the lived experiences of my conversion of a DIY campervan over several months in a diesel mechanic workshop in Sydney, Australia. This is a “small culture,” (Holliday, 1999) to which I gained limited access as I developed craft skills and the confidence to speak back to relative, milieu-specific, gendered power. I use autoethnographic textual fragments written shortly after the moment to depict the struggle to acquire skills, build confidence, and cross “small” cultures in an unusual crafting context. Grounded theoretical insights are suggested as they relate to three things. First, I examine the nature of individual, self-directed learning as engendered by the non-expert, hands-on doing of craft supported by YouTube instructional videos. Second, I consider positive and negative affective identity factors, particularly feelings of competence or incompetence and challenges to my own (female, middle-aged, injured, and non-expert) embodiment. Third, I consider the collaborative, discursive ways in which hegemonic and non-hegemonic masculinities were talked into being as contingent, relational identities against the foil of a constructed “other.”
|
topic |
adult learning gender craft identity autoethnography wellbeing |
url |
https://journals.library.ualberta.ca/ari/index.php/ari/article/view/29382 |
work_keys_str_mv |
AT phionastanley craftingadiycampervanandcraftingembodiedgenderedidentityperformancesinahypermasculineenvironment |
_version_ |
1724528165354733568 |