Some learnings Gyoji Banshoya acquired from the spatial composition of the ancient shantytown of Mahieddine, in 1950's Algiers: Research on dwelling practice around the “bidonville (shantytown)” project in Algiers during the Late Colonial Period, Part 1

Abstract This paper aims to consider how Gyoji Banshoya's planning idea was formed through analysis of the panels presented by CIAM‐Alger in Aix‐en‐Province in 1953 on a shantytown called Mahieddine, which is defined as a primary source related to Banshoya's activities on the French side....

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Main Author: Kosuke Matsubara
Format: Article
Language:English
Published: Wiley 2021-04-01
Series:Japan Architectural Review
Subjects:
Online Access:https://doi.org/10.1002/2475-8876.12203
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spelling doaj-2436c9c71ec54d208f7ec529b9cb57152021-05-03T05:05:59ZengWileyJapan Architectural Review2475-88762021-04-014234335510.1002/2475-8876.12203Some learnings Gyoji Banshoya acquired from the spatial composition of the ancient shantytown of Mahieddine, in 1950's Algiers: Research on dwelling practice around the “bidonville (shantytown)” project in Algiers during the Late Colonial Period, Part 1Kosuke Matsubara0Faculty of Engineering, Information and Systems Division of Policy and Planning Sciences University of Tsukuba Tsukuba‐shi Ibaraki JapanAbstract This paper aims to consider how Gyoji Banshoya's planning idea was formed through analysis of the panels presented by CIAM‐Alger in Aix‐en‐Province in 1953 on a shantytown called Mahieddine, which is defined as a primary source related to Banshoya's activities on the French side. At first, the points of his article “Apartments in Algeria” are summarized as the four criteria for analyzing of CIAM‐Alger's presentation panel. Then, CIAM‐Alger's presentation panel on Mahieddine is analyzed from the abovementioned four criteria where I discuss that they should be defined as dwelling practices of residents. Based on that, the realization of the Mahieddine project comprising of a “Cité de Recasement” and “HLM (Habitation à loyer modéré)” apartments, is examined. In conclusion, I indicate that Banshoya adopted the “courtyard,” “WCs and showers,” and “sight line planning.” Therefore, it is certain that he understood the importance of the Muslim tradition of privacy as well as improvement in sanitary conditions. Finally, I show some issues related to the further research framework centering around the “evolution” and modern urban planning, to reconsider the work of Gyoji Banshoya in Middle Eastern cities.https://doi.org/10.1002/2475-8876.12203ATBATCités de RecasementFernand PouillonGerald HanningJacques Chevallier
collection DOAJ
language English
format Article
sources DOAJ
author Kosuke Matsubara
spellingShingle Kosuke Matsubara
Some learnings Gyoji Banshoya acquired from the spatial composition of the ancient shantytown of Mahieddine, in 1950's Algiers: Research on dwelling practice around the “bidonville (shantytown)” project in Algiers during the Late Colonial Period, Part 1
Japan Architectural Review
ATBAT
Cités de Recasement
Fernand Pouillon
Gerald Hanning
Jacques Chevallier
author_facet Kosuke Matsubara
author_sort Kosuke Matsubara
title Some learnings Gyoji Banshoya acquired from the spatial composition of the ancient shantytown of Mahieddine, in 1950's Algiers: Research on dwelling practice around the “bidonville (shantytown)” project in Algiers during the Late Colonial Period, Part 1
title_short Some learnings Gyoji Banshoya acquired from the spatial composition of the ancient shantytown of Mahieddine, in 1950's Algiers: Research on dwelling practice around the “bidonville (shantytown)” project in Algiers during the Late Colonial Period, Part 1
title_full Some learnings Gyoji Banshoya acquired from the spatial composition of the ancient shantytown of Mahieddine, in 1950's Algiers: Research on dwelling practice around the “bidonville (shantytown)” project in Algiers during the Late Colonial Period, Part 1
title_fullStr Some learnings Gyoji Banshoya acquired from the spatial composition of the ancient shantytown of Mahieddine, in 1950's Algiers: Research on dwelling practice around the “bidonville (shantytown)” project in Algiers during the Late Colonial Period, Part 1
title_full_unstemmed Some learnings Gyoji Banshoya acquired from the spatial composition of the ancient shantytown of Mahieddine, in 1950's Algiers: Research on dwelling practice around the “bidonville (shantytown)” project in Algiers during the Late Colonial Period, Part 1
title_sort some learnings gyoji banshoya acquired from the spatial composition of the ancient shantytown of mahieddine, in 1950's algiers: research on dwelling practice around the “bidonville (shantytown)” project in algiers during the late colonial period, part 1
publisher Wiley
series Japan Architectural Review
issn 2475-8876
publishDate 2021-04-01
description Abstract This paper aims to consider how Gyoji Banshoya's planning idea was formed through analysis of the panels presented by CIAM‐Alger in Aix‐en‐Province in 1953 on a shantytown called Mahieddine, which is defined as a primary source related to Banshoya's activities on the French side. At first, the points of his article “Apartments in Algeria” are summarized as the four criteria for analyzing of CIAM‐Alger's presentation panel. Then, CIAM‐Alger's presentation panel on Mahieddine is analyzed from the abovementioned four criteria where I discuss that they should be defined as dwelling practices of residents. Based on that, the realization of the Mahieddine project comprising of a “Cité de Recasement” and “HLM (Habitation à loyer modéré)” apartments, is examined. In conclusion, I indicate that Banshoya adopted the “courtyard,” “WCs and showers,” and “sight line planning.” Therefore, it is certain that he understood the importance of the Muslim tradition of privacy as well as improvement in sanitary conditions. Finally, I show some issues related to the further research framework centering around the “evolution” and modern urban planning, to reconsider the work of Gyoji Banshoya in Middle Eastern cities.
topic ATBAT
Cités de Recasement
Fernand Pouillon
Gerald Hanning
Jacques Chevallier
url https://doi.org/10.1002/2475-8876.12203
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