Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance

The concept of stage presence in performing arts is generally understood as the ability of the skilled performer to capture the attention of the audience, a prerogative of the talented actor, who occupies a position of power in respect to the audience. This work challenges the classic model of stage...

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Main Author: Sarah Pini
Format: Article
Language:English
Published: University of Bologna 2021-08-01
Series:Antropologia e Teatro
Online Access:https://antropologiaeteatro.unibo.it/article/view/13349
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spelling doaj-2358e02401514476b4b94d890a6969752021-08-23T07:45:15ZengUniversity of BolognaAntropologia e Teatro2039-22812021-08-01138810810.6092/issn.2039-2281/1334911665Un approccio ecologico cognitivo alla presenza scenica nelle arti della performanceSarah Pini0Università della Danimarca MeridionaleThe concept of stage presence in performing arts is generally understood as the ability of the skilled performer to capture the attention of the audience, a prerogative of the talented actor, who occupies a position of power in respect to the audience. This work challenges the classic model of stage presence as an intrinsic quality of the performer and proposes instead a cognitive ecological ethnographic framework which considers the role played by various social actors — the public and the performers, embedded in specific historical, cultural, and social environments — in shaping the performance event. Through an ethnographic and phenomenological analysis of the concept of stage presence in different performative contexts, this work proposes a cognitive ecological approach to the study of stage presence, suggesting possible methodological directions.https://antropologiaeteatro.unibo.it/article/view/13349
collection DOAJ
language English
format Article
sources DOAJ
author Sarah Pini
spellingShingle Sarah Pini
Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance
Antropologia e Teatro
author_facet Sarah Pini
author_sort Sarah Pini
title Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance
title_short Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance
title_full Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance
title_fullStr Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance
title_full_unstemmed Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance
title_sort un approccio ecologico cognitivo alla presenza scenica nelle arti della performance
publisher University of Bologna
series Antropologia e Teatro
issn 2039-2281
publishDate 2021-08-01
description The concept of stage presence in performing arts is generally understood as the ability of the skilled performer to capture the attention of the audience, a prerogative of the talented actor, who occupies a position of power in respect to the audience. This work challenges the classic model of stage presence as an intrinsic quality of the performer and proposes instead a cognitive ecological ethnographic framework which considers the role played by various social actors — the public and the performers, embedded in specific historical, cultural, and social environments — in shaping the performance event. Through an ethnographic and phenomenological analysis of the concept of stage presence in different performative contexts, this work proposes a cognitive ecological approach to the study of stage presence, suggesting possible methodological directions.
url https://antropologiaeteatro.unibo.it/article/view/13349
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