La construction du genre : contraltos et castrats dans la production lyrique haendélienne
Although modern operatic scholarship has spent considerable time studying the erotic power of nineteenth-century crossdressing, English baroque opera seems to have been slightly overlooked in that respect. As far as Handel’s production is concerned, one still reads here and there that male parts req...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2019-02-01
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| Series: | Etudes Epistémè |
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| Online Access: | http://journals.openedition.org/episteme/3465 |
