Ippolito Nievo. Portrait of the Writer as an Old Man

Ippolito Nievo’s long autobiographical novel, Confessions of an Italian (Confessioni di un italiano), also known as ‘Confessions of an Octogenarian’ (Confessioni di un ottuagenario), in reference to its 80-year-old narrator, was actually written when the writer was…twenty-nine. The narrator takes on...

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Main Author: Chiara Nannicini
Format: Article
Language:English
Published: University of Groningen Press 2020-12-01
Series:European Journal of Life Writing
Subjects:
Online Access:https://ejlw.eu/article/view/37327
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spelling doaj-22fd34e9d0db411db30a3a6f9fcd82822021-02-17T09:23:39ZengUniversity of Groningen PressEuropean Journal of Life Writing2211-243X2020-12-019BE93BE11010.21827/ejlw.9.3732726969Ippolito Nievo. Portrait of the Writer as an Old ManChiara NanniciniIppolito Nievo’s long autobiographical novel, Confessions of an Italian (Confessioni di un italiano), also known as ‘Confessions of an Octogenarian’ (Confessioni di un ottuagenario), in reference to its 80-year-old narrator, was actually written when the writer was…twenty-nine. The narrator takes on the role of an old man reflecting on his own life – from childhood, through youth until middle and old age – making the reader believe that he is dealing with the memories of a life already lived. Indeed, Nievo must have taken inspiration from his grandfather’s life at the turn of the nineteenth century to which he added his own experience. The irony of fate is well-known: The author died at the age of 29 and the unfinished novel was published in 1867, six years after his death. Since then, it has remained an outstanding literary specimen in both Italian and European literature. In this paper, we will dwell in particular on the clever outline of the narrator. The distance between the real and the fake narrator certainly belongs to the purest autobiographical tradition, and yet it offers here a further challenge to the writer, constantly trying to share his lifelong experience with the reader and the character himself. All things considered, Nievo foresaw both his own life and how he would have written it, as if he had already lived it and was about to die.https://ejlw.eu/article/view/37327ippolito nievoconfessionsautobiographydeathold age
collection DOAJ
language English
format Article
sources DOAJ
author Chiara Nannicini
spellingShingle Chiara Nannicini
Ippolito Nievo. Portrait of the Writer as an Old Man
European Journal of Life Writing
ippolito nievo
confessions
autobiography
death
old age
author_facet Chiara Nannicini
author_sort Chiara Nannicini
title Ippolito Nievo. Portrait of the Writer as an Old Man
title_short Ippolito Nievo. Portrait of the Writer as an Old Man
title_full Ippolito Nievo. Portrait of the Writer as an Old Man
title_fullStr Ippolito Nievo. Portrait of the Writer as an Old Man
title_full_unstemmed Ippolito Nievo. Portrait of the Writer as an Old Man
title_sort ippolito nievo. portrait of the writer as an old man
publisher University of Groningen Press
series European Journal of Life Writing
issn 2211-243X
publishDate 2020-12-01
description Ippolito Nievo’s long autobiographical novel, Confessions of an Italian (Confessioni di un italiano), also known as ‘Confessions of an Octogenarian’ (Confessioni di un ottuagenario), in reference to its 80-year-old narrator, was actually written when the writer was…twenty-nine. The narrator takes on the role of an old man reflecting on his own life – from childhood, through youth until middle and old age – making the reader believe that he is dealing with the memories of a life already lived. Indeed, Nievo must have taken inspiration from his grandfather’s life at the turn of the nineteenth century to which he added his own experience. The irony of fate is well-known: The author died at the age of 29 and the unfinished novel was published in 1867, six years after his death. Since then, it has remained an outstanding literary specimen in both Italian and European literature. In this paper, we will dwell in particular on the clever outline of the narrator. The distance between the real and the fake narrator certainly belongs to the purest autobiographical tradition, and yet it offers here a further challenge to the writer, constantly trying to share his lifelong experience with the reader and the character himself. All things considered, Nievo foresaw both his own life and how he would have written it, as if he had already lived it and was about to die.
topic ippolito nievo
confessions
autobiography
death
old age
url https://ejlw.eu/article/view/37327
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