Ta naše písnička irská. Kontext živé produkce irské tradiční hudby na území České republiky

This paper deals with the live performance of Irish traditional music in the Czech Republic. Using Bourdieu’s notion of "field" it analyses social interactions which mould the dispositions of individual musicians – determining their style of playing, the way they think about the music and...

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Main Author: Daniel Vališ
Format: Article
Language:ces
Published: AntropoWeb 2010-12-01
Series:AntropoWebzin
Subjects:
Online Access:http://antropologie.zcu.cz/webzin/index.php/webzin/article/view/121
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spelling doaj-22e94812fc0a455582cc2f07c64e75242020-11-25T00:10:59ZcesAntropoWebAntropoWebzin1801-88072010-12-0163249252121Ta naše písnička irská. Kontext živé produkce irské tradiční hudby na území České republikyDaniel Vališ0Faculty of Humanities, Charles University in PragueThis paper deals with the live performance of Irish traditional music in the Czech Republic. Using Bourdieu’s notion of "field" it analyses social interactions which mould the dispositions of individual musicians – determining their style of playing, the way they think about the music and the types of venues they tend to prefer. The article closes with the author´s brief deliberation on the possibility of applying the same theoretic framework to reflect his own position as a researcher of this topic, namely that of an "insider".http://antropologie.zcu.cz/webzin/index.php/webzin/article/view/121irish traditional musicCzech republicBourdieu"celtomania"social context
collection DOAJ
language ces
format Article
sources DOAJ
author Daniel Vališ
spellingShingle Daniel Vališ
Ta naše písnička irská. Kontext živé produkce irské tradiční hudby na území České republiky
AntropoWebzin
irish traditional music
Czech republic
Bourdieu
"celtomania"
social context
author_facet Daniel Vališ
author_sort Daniel Vališ
title Ta naše písnička irská. Kontext živé produkce irské tradiční hudby na území České republiky
title_short Ta naše písnička irská. Kontext živé produkce irské tradiční hudby na území České republiky
title_full Ta naše písnička irská. Kontext živé produkce irské tradiční hudby na území České republiky
title_fullStr Ta naše písnička irská. Kontext živé produkce irské tradiční hudby na území České republiky
title_full_unstemmed Ta naše písnička irská. Kontext živé produkce irské tradiční hudby na území České republiky
title_sort ta naše písnička irská. kontext živé produkce irské tradiční hudby na území české republiky
publisher AntropoWeb
series AntropoWebzin
issn 1801-8807
publishDate 2010-12-01
description This paper deals with the live performance of Irish traditional music in the Czech Republic. Using Bourdieu’s notion of "field" it analyses social interactions which mould the dispositions of individual musicians – determining their style of playing, the way they think about the music and the types of venues they tend to prefer. The article closes with the author´s brief deliberation on the possibility of applying the same theoretic framework to reflect his own position as a researcher of this topic, namely that of an "insider".
topic irish traditional music
Czech republic
Bourdieu
"celtomania"
social context
url http://antropologie.zcu.cz/webzin/index.php/webzin/article/view/121
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