La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan
<p class="Abstract">This article is about the representation of maternal domination and <span style="font-size: 1rem;">the trial in the film </span>J’ai tué ma mère <span style="font-size: 1rem;"> of Xavier Dol...
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2019-10-01
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Series: | Digital Press Social Sciences and Humanities |
Online Access: | https://digitalpress.ugm.ac.id/article/274 |
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doaj-22d696c757ba4878ac3bdfd472a6e55f2021-05-04T05:32:25ZengUGM Digital PressDigital Press Social Sciences and Humanities2654-94332019-10-0130000110.29037/digitalpress.43274La domination de la mère dans le film J'ai tué ma mère de Xavier DolanIsmarini, Aditya PutriRusdiarti, Suma Riella<p class="Abstract">This article is about the representation of maternal domination and <span style="font-size: 1rem;">the trial in the film </span>J’ai tué ma mère <span style="font-size: 1rem;"> of Xavier Dolan through narrative </span><span style="font-size: 1rem;">and cinematographic film aspects. The analysis is supported by Michel </span><span style="font-size: 1rem;">Foucault’s concept of power to see the shape of dominance of the </span><span style="font-size: 1rem;">mother figure that occurs in the film. The power is the cornerstone of </span><span style="font-size: 1rem;">the training of domination that leads to repression against others, </span><span style="font-size: 1rem;">including within the family. The results of the analysis through </span><span style="font-size: 1rem;">narrative and cinematographic aspects of the film shows that </span><span style="font-size: 1rem;">dominance is formed due to the failure of the communication that </span><span style="font-size: 1rem;">exists between the forces and causes the formation of resistance by </span><span style="font-size: 1rem;">the dominated figures, the boy. The power and the domination of a </span><span style="font-size: 1rem;">very large maternal figure in the figure of the boy life causes problems </span><span style="font-size: 1rem;">and conflicts between them, thus creating a distance in the </span><span style="font-size: 1rem;">relationship between the mother and the child. The resistance of the </span><span style="font-size: 1rem;">dominant figure is intended to challenge the power of domination. </span><span style="font-size: 1rem;">Dominance is also reinforced by the matriarchal cultural factors </span><span style="font-size: 1rem;">within the culture of the community in Quebec, which is the setting for </span><span style="font-size: 1rem;">the film.</span></p><p class="Abstract"><span lang="FR"><o:p></o:p></span></p>https://digitalpress.ugm.ac.id/article/274 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Ismarini, Aditya Putri Rusdiarti, Suma Riella |
spellingShingle |
Ismarini, Aditya Putri Rusdiarti, Suma Riella La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan Digital Press Social Sciences and Humanities |
author_facet |
Ismarini, Aditya Putri Rusdiarti, Suma Riella |
author_sort |
Ismarini, Aditya Putri |
title |
La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan |
title_short |
La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan |
title_full |
La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan |
title_fullStr |
La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan |
title_full_unstemmed |
La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan |
title_sort |
la domination de la mère dans le film j'ai tué ma mère de xavier dolan |
publisher |
UGM Digital Press |
series |
Digital Press Social Sciences and Humanities |
issn |
2654-9433 |
publishDate |
2019-10-01 |
description |
<p class="Abstract">This article is about the representation of maternal domination and <span style="font-size: 1rem;">the trial in the film </span>J’ai tué ma mère <span style="font-size: 1rem;"> of Xavier Dolan through narrative </span><span style="font-size: 1rem;">and cinematographic film aspects. The analysis is supported by Michel </span><span style="font-size: 1rem;">Foucault’s concept of power to see the shape of dominance of the </span><span style="font-size: 1rem;">mother figure that occurs in the film. The power is the cornerstone of </span><span style="font-size: 1rem;">the training of domination that leads to repression against others, </span><span style="font-size: 1rem;">including within the family. The results of the analysis through </span><span style="font-size: 1rem;">narrative and cinematographic aspects of the film shows that </span><span style="font-size: 1rem;">dominance is formed due to the failure of the communication that </span><span style="font-size: 1rem;">exists between the forces and causes the formation of resistance by </span><span style="font-size: 1rem;">the dominated figures, the boy. The power and the domination of a </span><span style="font-size: 1rem;">very large maternal figure in the figure of the boy life causes problems </span><span style="font-size: 1rem;">and conflicts between them, thus creating a distance in the </span><span style="font-size: 1rem;">relationship between the mother and the child. The resistance of the </span><span style="font-size: 1rem;">dominant figure is intended to challenge the power of domination. </span><span style="font-size: 1rem;">Dominance is also reinforced by the matriarchal cultural factors </span><span style="font-size: 1rem;">within the culture of the community in Quebec, which is the setting for </span><span style="font-size: 1rem;">the film.</span></p><p class="Abstract"><span lang="FR"><o:p></o:p></span></p> |
url |
https://digitalpress.ugm.ac.id/article/274 |
work_keys_str_mv |
AT ismariniadityaputri ladominationdelameredanslefilmjaituemameredexavierdolan AT rusdiartisumariella ladominationdelameredanslefilmjaituemameredexavierdolan |
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