La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan

<p class="Abstract">This article is about the representation of maternal domination and&nbsp;<span style="font-size: 1rem;">the trial in the film&nbsp;</span>J’ai tué ma mère&nbsp;<span style="font-size: 1rem;">&nbsp;of Xavier Dol...

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Main Authors: Ismarini, Aditya Putri, Rusdiarti, Suma Riella
Format: Article
Language:English
Published: UGM Digital Press 2019-10-01
Series:Digital Press Social Sciences and Humanities
Online Access:https://digitalpress.ugm.ac.id/article/274
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spelling doaj-22d696c757ba4878ac3bdfd472a6e55f2021-05-04T05:32:25ZengUGM Digital PressDigital Press Social Sciences and Humanities2654-94332019-10-0130000110.29037/digitalpress.43274La domination de la mère dans le film J'ai tué ma mère de Xavier DolanIsmarini, Aditya PutriRusdiarti, Suma Riella<p class="Abstract">This article is about the representation of maternal domination and&nbsp;<span style="font-size: 1rem;">the trial in the film&nbsp;</span>J’ai tué ma mère&nbsp;<span style="font-size: 1rem;">&nbsp;of Xavier Dolan through narrative&nbsp;</span><span style="font-size: 1rem;">and cinematographic film aspects. The analysis is supported by Michel&nbsp;</span><span style="font-size: 1rem;">Foucault’s concept of power to see the shape of dominance of the&nbsp;</span><span style="font-size: 1rem;">mother figure that occurs in the film. The power is the cornerstone of&nbsp;</span><span style="font-size: 1rem;">the training of domination that leads to repression against others,&nbsp;</span><span style="font-size: 1rem;">including within the family. The results of the analysis through&nbsp;</span><span style="font-size: 1rem;">narrative and cinematographic aspects of the film shows that&nbsp;</span><span style="font-size: 1rem;">dominance is formed due to the failure of the communication that&nbsp;</span><span style="font-size: 1rem;">exists between the forces and causes the formation of resistance by&nbsp;</span><span style="font-size: 1rem;">the dominated figures, the boy. The power and the domination of a&nbsp;</span><span style="font-size: 1rem;">very large maternal figure in the figure of the boy life causes problems&nbsp;</span><span style="font-size: 1rem;">and conflicts between them, thus creating a distance in the&nbsp;</span><span style="font-size: 1rem;">relationship between the mother and the child. The resistance of the&nbsp;</span><span style="font-size: 1rem;">dominant figure is intended to challenge the power of domination.&nbsp;</span><span style="font-size: 1rem;">Dominance is also reinforced by the matriarchal cultural factors&nbsp;</span><span style="font-size: 1rem;">within the culture of the community in Quebec, which is the setting for&nbsp;</span><span style="font-size: 1rem;">the film.</span></p><p class="Abstract"><span lang="FR"><o:p></o:p></span></p>https://digitalpress.ugm.ac.id/article/274
collection DOAJ
language English
format Article
sources DOAJ
author Ismarini, Aditya Putri
Rusdiarti, Suma Riella
spellingShingle Ismarini, Aditya Putri
Rusdiarti, Suma Riella
La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan
Digital Press Social Sciences and Humanities
author_facet Ismarini, Aditya Putri
Rusdiarti, Suma Riella
author_sort Ismarini, Aditya Putri
title La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan
title_short La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan
title_full La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan
title_fullStr La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan
title_full_unstemmed La domination de la mère dans le film J'ai tué ma mère de Xavier Dolan
title_sort la domination de la mère dans le film j'ai tué ma mère de xavier dolan
publisher UGM Digital Press
series Digital Press Social Sciences and Humanities
issn 2654-9433
publishDate 2019-10-01
description <p class="Abstract">This article is about the representation of maternal domination and&nbsp;<span style="font-size: 1rem;">the trial in the film&nbsp;</span>J’ai tué ma mère&nbsp;<span style="font-size: 1rem;">&nbsp;of Xavier Dolan through narrative&nbsp;</span><span style="font-size: 1rem;">and cinematographic film aspects. The analysis is supported by Michel&nbsp;</span><span style="font-size: 1rem;">Foucault’s concept of power to see the shape of dominance of the&nbsp;</span><span style="font-size: 1rem;">mother figure that occurs in the film. The power is the cornerstone of&nbsp;</span><span style="font-size: 1rem;">the training of domination that leads to repression against others,&nbsp;</span><span style="font-size: 1rem;">including within the family. The results of the analysis through&nbsp;</span><span style="font-size: 1rem;">narrative and cinematographic aspects of the film shows that&nbsp;</span><span style="font-size: 1rem;">dominance is formed due to the failure of the communication that&nbsp;</span><span style="font-size: 1rem;">exists between the forces and causes the formation of resistance by&nbsp;</span><span style="font-size: 1rem;">the dominated figures, the boy. The power and the domination of a&nbsp;</span><span style="font-size: 1rem;">very large maternal figure in the figure of the boy life causes problems&nbsp;</span><span style="font-size: 1rem;">and conflicts between them, thus creating a distance in the&nbsp;</span><span style="font-size: 1rem;">relationship between the mother and the child. The resistance of the&nbsp;</span><span style="font-size: 1rem;">dominant figure is intended to challenge the power of domination.&nbsp;</span><span style="font-size: 1rem;">Dominance is also reinforced by the matriarchal cultural factors&nbsp;</span><span style="font-size: 1rem;">within the culture of the community in Quebec, which is the setting for&nbsp;</span><span style="font-size: 1rem;">the film.</span></p><p class="Abstract"><span lang="FR"><o:p></o:p></span></p>
url https://digitalpress.ugm.ac.id/article/274
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