SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSIS

The article is devoted to the analysis of artistic form in visual sacred art at the point of its own pure symbolism which provides the special or exclusive expressiveness of the sacred images and let us identify them exactly as the sacred ones. And this concerns not only aesthetic effects or cultura...

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Main Author: Ольга Барановська
Format: Article
Language:English
Published: Odessa I. I. Mechnykov National University 2018-06-01
Series:Докса
Subjects:
Online Access:http://doksa.onu.edu.ua/article/view/146531
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spelling doaj-227e3837cdae4b758608d2eda88cff6d2021-01-22T12:18:44ZengOdessa I. I. Mechnykov National UniversityДокса2410-26012018-06-0101(29)11112310.18524/2410-2601.2018.1(29).146531146531SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSISОльга Барановська0Одеський національний політехнічний університетThe article is devoted to the analysis of artistic form in visual sacred art at the point of its own pure symbolism which provides the special or exclusive expressiveness of the sacred images and let us identify them exactly as the sacred ones. And this concerns not only aesthetic effects or cultural, spiritual meanings of the sacred images, though it is certainly important, but mainly the way of formation of the universal artistic language that is able to speak about the unspeakable, to find a form for something having no form. The formal analysis of this language basic elements and constructive principles gives an opportunity to find out the inner valuable motives of sacred images symbolism. The analysis of iconographic status of certain constructive elements (especially: vertical, horizontal and cross in the construction of christian cathedrals), composition features, visual or plastic modes reveals the resources of the artistic form intensity.http://doksa.onu.edu.ua/article/view/146531художня формасакральний образформальний аналізсимволізм
collection DOAJ
language English
format Article
sources DOAJ
author Ольга Барановська
spellingShingle Ольга Барановська
SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSIS
Докса
художня форма
сакральний образ
формальний аналіз
символізм
author_facet Ольга Барановська
author_sort Ольга Барановська
title SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSIS
title_short SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSIS
title_full SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSIS
title_fullStr SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSIS
title_full_unstemmed SYMBOLISM OF SACRED IMAGE: FEATURES AND POSSIBILITIES OF FORMAL ANALYSIS
title_sort symbolism of sacred image: features and possibilities of formal analysis
publisher Odessa I. I. Mechnykov National University
series Докса
issn 2410-2601
publishDate 2018-06-01
description The article is devoted to the analysis of artistic form in visual sacred art at the point of its own pure symbolism which provides the special or exclusive expressiveness of the sacred images and let us identify them exactly as the sacred ones. And this concerns not only aesthetic effects or cultural, spiritual meanings of the sacred images, though it is certainly important, but mainly the way of formation of the universal artistic language that is able to speak about the unspeakable, to find a form for something having no form. The formal analysis of this language basic elements and constructive principles gives an opportunity to find out the inner valuable motives of sacred images symbolism. The analysis of iconographic status of certain constructive elements (especially: vertical, horizontal and cross in the construction of christian cathedrals), composition features, visual or plastic modes reveals the resources of the artistic form intensity.
topic художня форма
сакральний образ
формальний аналіз
символізм
url http://doksa.onu.edu.ua/article/view/146531
work_keys_str_mv AT olʹgabaranovsʹka symbolismofsacredimagefeaturesandpossibilitiesofformalanalysis
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