Seeing ‘Red’ (Orange Is the New Black) – Russian Women, US Homonationalism and New Cold War Cultures

This article investigates visual, bodily, and cultural representations of Russian women in public media and takes the TV character ‘Red’ from the popular American TV show Orange Is the New Black (OITNB) as an example. The central points of discussion are the figure’s racialisation and culturalisatio...

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Main Author: M. Katharina Wiedlack
Format: Article
Language:ces
Published: Institute of Sociology, Czech Academy of Sciences 2016-07-01
Series:Gender a Výzkum
Subjects:
Online Access:https://www.genderonline.cz/uploads/c5c1eb023eb84b646335b18b78a48b1ebe8b50a1_stat-wiedlack.pdf
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spelling doaj-227d4f533fbd4b5e88e12050de331fb72020-11-24T21:19:09ZcesInstitute of Sociology, Czech Academy of SciencesGender a Výzkum2570-65782570-65862016-07-01171294010.13060/12130028.2016.17.1.253Seeing ‘Red’ (Orange Is the New Black) – Russian Women, US Homonationalism and New Cold War CulturesM. Katharina WiedlackThis article investigates visual, bodily, and cultural representations of Russian women in public media and takes the TV character ‘Red’ from the popular American TV show Orange Is the New Black (OITNB) as an example. The central points of discussion are the figure’s racialisation and culturalisation. This article analyses how Red’s body, mindset, and character are produced as Russian against the background of contemporary new Cold War discourses. It argues that Red is staged as a racialised Russian other, through the emphasis on her gendered heterosexual body, within a sexually and racially diverse group of imprisoned Americans in the show. Moreover, her presentation within such a diverse group also serves to present or confirm the US nation as liberal, sexually diverse, and modern by contrasting it with Red’s strongly gendered and heterosexual body, which appears old-fashioned and from the past (also depicted as the Russian present). Referring to recent literature on the exotification and othering of Eastern European and Russian women as well as works on ethnicity and whiteness in the USA, this article is situated at the intersection of considerations of the specific racialisation of Eastern female bodies and queer and feminist discourses.https://www.genderonline.cz/uploads/c5c1eb023eb84b646335b18b78a48b1ebe8b50a1_stat-wiedlack.pdfheterosexualityCold War Culturenational identityhomonationalism
collection DOAJ
language ces
format Article
sources DOAJ
author M. Katharina Wiedlack
spellingShingle M. Katharina Wiedlack
Seeing ‘Red’ (Orange Is the New Black) – Russian Women, US Homonationalism and New Cold War Cultures
Gender a Výzkum
heterosexuality
Cold War Culture
national identity
homonationalism
author_facet M. Katharina Wiedlack
author_sort M. Katharina Wiedlack
title Seeing ‘Red’ (Orange Is the New Black) – Russian Women, US Homonationalism and New Cold War Cultures
title_short Seeing ‘Red’ (Orange Is the New Black) – Russian Women, US Homonationalism and New Cold War Cultures
title_full Seeing ‘Red’ (Orange Is the New Black) – Russian Women, US Homonationalism and New Cold War Cultures
title_fullStr Seeing ‘Red’ (Orange Is the New Black) – Russian Women, US Homonationalism and New Cold War Cultures
title_full_unstemmed Seeing ‘Red’ (Orange Is the New Black) – Russian Women, US Homonationalism and New Cold War Cultures
title_sort seeing ‘red’ (orange is the new black) – russian women, us homonationalism and new cold war cultures
publisher Institute of Sociology, Czech Academy of Sciences
series Gender a Výzkum
issn 2570-6578
2570-6586
publishDate 2016-07-01
description This article investigates visual, bodily, and cultural representations of Russian women in public media and takes the TV character ‘Red’ from the popular American TV show Orange Is the New Black (OITNB) as an example. The central points of discussion are the figure’s racialisation and culturalisation. This article analyses how Red’s body, mindset, and character are produced as Russian against the background of contemporary new Cold War discourses. It argues that Red is staged as a racialised Russian other, through the emphasis on her gendered heterosexual body, within a sexually and racially diverse group of imprisoned Americans in the show. Moreover, her presentation within such a diverse group also serves to present or confirm the US nation as liberal, sexually diverse, and modern by contrasting it with Red’s strongly gendered and heterosexual body, which appears old-fashioned and from the past (also depicted as the Russian present). Referring to recent literature on the exotification and othering of Eastern European and Russian women as well as works on ethnicity and whiteness in the USA, this article is situated at the intersection of considerations of the specific racialisation of Eastern female bodies and queer and feminist discourses.
topic heterosexuality
Cold War Culture
national identity
homonationalism
url https://www.genderonline.cz/uploads/c5c1eb023eb84b646335b18b78a48b1ebe8b50a1_stat-wiedlack.pdf
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