A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)
This article examines the poetry of Valério Pereliéchin ("Valerii Pereleshin" in his native Russian), a gay writer and translator who produced a significant collection of homoerotic poems in Portuguese over the second half of the twentieth century. Pereliéchin was born in Russia in 1913 an...
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American Portuguese Studies Association (APSA)
2019-06-01
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doaj-22774ae3cbd24816829bcd26e09984612020-11-25T01:46:36ZengAmerican Portuguese Studies Association (APSA)Journal of Lusophone Studies2469-48002019-06-014110.21471/jls.v4i1.301231A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)Carlos Cortez Minchillo0Dartmouth CollegeThis article examines the poetry of Valério Pereliéchin ("Valerii Pereleshin" in his native Russian), a gay writer and translator who produced a significant collection of homoerotic poems in Portuguese over the second half of the twentieth century. Pereliéchin was born in Russia in 1913 and soon migrated to China, where he lived among other Russian émigrés in the town of Harbin. In 1953, after a failed attempt to go to the United States, he and his mother arrived in Brazil, where he lived–unnoticed by local writers and artists–for almost forty years. A central issue in Pereliéchin's personal life, homosexuality gradually became the core theme of his work. Through the idea of "existential left-handedness," Pereliéchin challenged heteronormativity, especially by refuting what Lee Edelman has called "reproductive futurity." I argue that Pereliéchin's alternative way of tackling the past and future stems from the intersectionality of his experiences as a gay man and an émigré.https://jls.apsa.us/index.php/jls/article/view/301Brazilian poetryRussian poetrymigrationdictatorshiphomoerotic |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Carlos Cortez Minchillo |
spellingShingle |
Carlos Cortez Minchillo A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992) Journal of Lusophone Studies Brazilian poetry Russian poetry migration dictatorship homoerotic |
author_facet |
Carlos Cortez Minchillo |
author_sort |
Carlos Cortez Minchillo |
title |
A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992) |
title_short |
A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992) |
title_full |
A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992) |
title_fullStr |
A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992) |
title_full_unstemmed |
A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992) |
title_sort |
perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de valério pereliéchin (1953-1992) |
publisher |
American Portuguese Studies Association (APSA) |
series |
Journal of Lusophone Studies |
issn |
2469-4800 |
publishDate |
2019-06-01 |
description |
This article examines the poetry of Valério Pereliéchin ("Valerii Pereleshin" in his native Russian), a gay writer and translator who produced a significant collection of homoerotic poems in Portuguese over the second half of the twentieth century. Pereliéchin was born in Russia in 1913 and soon migrated to China, where he lived among other Russian émigrés in the town of Harbin. In 1953, after a failed attempt to go to the United States, he and his mother arrived in Brazil, where he lived–unnoticed by local writers and artists–for almost forty years. A central issue in Pereliéchin's personal life, homosexuality gradually became the core theme of his work. Through the idea of "existential left-handedness," Pereliéchin challenged heteronormativity, especially by refuting what Lee Edelman has called "reproductive futurity." I argue that Pereliéchin's alternative way of tackling the past and future stems from the intersectionality of his experiences as a gay man and an émigré. |
topic |
Brazilian poetry Russian poetry migration dictatorship homoerotic |
url |
https://jls.apsa.us/index.php/jls/article/view/301 |
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