A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)

This article examines the poetry of Valério Pereliéchin ("Valerii Pereleshin" in his native Russian), a gay writer and translator who produced a significant collection of homoerotic poems in Portuguese over the second half of the twentieth century. Pereliéchin was born in Russia in 1913 an...

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Main Author: Carlos Cortez Minchillo
Format: Article
Language:English
Published: American Portuguese Studies Association (APSA) 2019-06-01
Series:Journal of Lusophone Studies
Subjects:
Online Access:https://jls.apsa.us/index.php/jls/article/view/301
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spelling doaj-22774ae3cbd24816829bcd26e09984612020-11-25T01:46:36ZengAmerican Portuguese Studies Association (APSA)Journal of Lusophone Studies2469-48002019-06-014110.21471/jls.v4i1.301231A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)Carlos Cortez Minchillo0Dartmouth CollegeThis article examines the poetry of Valério Pereliéchin ("Valerii Pereleshin" in his native Russian), a gay writer and translator who produced a significant collection of homoerotic poems in Portuguese over the second half of the twentieth century. Pereliéchin was born in Russia in 1913 and soon migrated to China, where he lived among other Russian émigrés in the town of Harbin. In 1953, after a failed attempt to go to the United States, he and his mother arrived in Brazil, where he lived–unnoticed by local writers and artists–for almost forty years. A central issue in Pereliéchin's personal life, homosexuality gradually became the core theme of his work. Through the idea of "existential left-handedness," Pereliéchin challenged heteronormativity, especially by refuting what Lee Edelman has called "reproductive futurity." I argue that Pereliéchin's alternative way of tackling the past and future stems from the intersectionality of his experiences as a gay man and an émigré.https://jls.apsa.us/index.php/jls/article/view/301Brazilian poetryRussian poetrymigrationdictatorshiphomoerotic
collection DOAJ
language English
format Article
sources DOAJ
author Carlos Cortez Minchillo
spellingShingle Carlos Cortez Minchillo
A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)
Journal of Lusophone Studies
Brazilian poetry
Russian poetry
migration
dictatorship
homoerotic
author_facet Carlos Cortez Minchillo
author_sort Carlos Cortez Minchillo
title A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)
title_short A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)
title_full A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)
title_fullStr A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)
title_full_unstemmed A perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de Valério Pereliéchin (1953-1992)
title_sort perspectiva canhota de um emigrado russo: expressão homoerótica na poesia de valério pereliéchin (1953-1992)
publisher American Portuguese Studies Association (APSA)
series Journal of Lusophone Studies
issn 2469-4800
publishDate 2019-06-01
description This article examines the poetry of Valério Pereliéchin ("Valerii Pereleshin" in his native Russian), a gay writer and translator who produced a significant collection of homoerotic poems in Portuguese over the second half of the twentieth century. Pereliéchin was born in Russia in 1913 and soon migrated to China, where he lived among other Russian émigrés in the town of Harbin. In 1953, after a failed attempt to go to the United States, he and his mother arrived in Brazil, where he lived–unnoticed by local writers and artists–for almost forty years. A central issue in Pereliéchin's personal life, homosexuality gradually became the core theme of his work. Through the idea of "existential left-handedness," Pereliéchin challenged heteronormativity, especially by refuting what Lee Edelman has called "reproductive futurity." I argue that Pereliéchin's alternative way of tackling the past and future stems from the intersectionality of his experiences as a gay man and an émigré.
topic Brazilian poetry
Russian poetry
migration
dictatorship
homoerotic
url https://jls.apsa.us/index.php/jls/article/view/301
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