Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet
This article discusses the industrial and cultural consequences of the digitalization of music by studying the heavy metal band 1G3B, whose activities are characterised by a very special Finland-Swedish dialect and an uncompromising do it yourself attitude. For the band the technological development...
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International Association for the Study of Popular Music
2010-01-01
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Series: | IASPM Journal |
Online Access: | https://iaspmjournal.net/index.php/IASPM_Journal/article/view/541/567 |
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doaj-22725bfbb45248929b8c688ecf491ef32020-11-25T01:19:54ZengInternational Association for the Study of Popular MusicIASPM Journal2079-38712079-38712010-01-011211810.5429/2079-3871(2010)v1i2.1enMaximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the InternetJohannes Brusila0Åbo Akademi UniversityThis article discusses the industrial and cultural consequences of the digitalization of music by studying the heavy metal band 1G3B, whose activities are characterised by a very special Finland-Swedish dialect and an uncompromising do it yourself attitude. For the band the technological development has offered hitherto unforeseen opportunities to produce and distribute its marginal music. On the other hand, digitalization has not changed all the old economic preconditions or cultural ideals that still permeate the activities. One of the most important consequences of the technological development is the possibility to combine an alternative do it yourself approach and a reconstructed local identity on the Internet.https://iaspmjournal.net/index.php/IASPM_Journal/article/view/541/567 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Johannes Brusila |
spellingShingle |
Johannes Brusila Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet IASPM Journal |
author_facet |
Johannes Brusila |
author_sort |
Johannes Brusila |
title |
Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet |
title_short |
Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet |
title_full |
Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet |
title_fullStr |
Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet |
title_full_unstemmed |
Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet |
title_sort |
maximum output for minimum input - 1g3b and the reterritorialization of a finland-swedish metal identity on the internet |
publisher |
International Association for the Study of Popular Music |
series |
IASPM Journal |
issn |
2079-3871 2079-3871 |
publishDate |
2010-01-01 |
description |
This article discusses the industrial and cultural consequences of the digitalization of music by studying the heavy metal band 1G3B, whose activities are characterised by a very special Finland-Swedish dialect and an uncompromising do it yourself attitude. For the band the technological development has offered hitherto unforeseen opportunities to produce and distribute its marginal music. On the other hand, digitalization has not changed all the old economic preconditions or cultural ideals that still permeate the activities. One of the most important consequences of the technological development is the possibility to combine an alternative do it yourself approach and a reconstructed local identity on the Internet. |
url |
https://iaspmjournal.net/index.php/IASPM_Journal/article/view/541/567 |
work_keys_str_mv |
AT johannesbrusila maximumoutputforminimuminput1g3bandthereterritorializationofafinlandswedishmetalidentityontheinternet |
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