Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>

The main focus of this essay is the discursive analysis of “Reich” as an article of faith in the poetry volume Die Fanfare. Gedichte der deutschen Erhebung by Heinrich Anacker (1901-1971). Looking back to the original theological foundation of the concept “Third Reich” in connection with the debate...

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Main Author: Anneleen Van Hertbruggen
Format: Article
Language:deu
Published: Università degli Studi di Milano 2017-11-01
Series:Studia theodisca
Online Access:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/9205
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spelling doaj-226917faadee4a08be6d18ff35051eb72020-11-25T03:38:39ZdeuUniversità degli Studi di MilanoStudia theodisca1593-24782385-29172017-11-01240516810.13130/1593-2478/92057881Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>Anneleen Van Hertbruggen0Universiteit Antwerpen, BelgiumThe main focus of this essay is the discursive analysis of “Reich” as an article of faith in the poetry volume Die Fanfare. Gedichte der deutschen Erhebung by Heinrich Anacker (1901-1971). Looking back to the original theological foundation of the concept “Third Reich” in connection with the debate about whether National Socialism could be consid­ered as a political religion, “Reich” is described as a possible article of faith of the Nazi creed. In Anacker’s National Socialist biased propaganda poetry, “Reich” appears, in fact, as a sacred and even as a quasi-religious entity.https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/9205
collection DOAJ
language deu
format Article
sources DOAJ
author Anneleen Van Hertbruggen
spellingShingle Anneleen Van Hertbruggen
Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>
Studia theodisca
author_facet Anneleen Van Hertbruggen
author_sort Anneleen Van Hertbruggen
title Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>
title_short Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>
title_full Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>
title_fullStr Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>
title_full_unstemmed Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>
title_sort das dritte reich. die diskursive sakralisierung in der ns-propagandadichtung von heinrich anacker<br><i>[the third reich. discursive sacralization in the ns propaganda poetry of heinrich anacker]<i>
publisher Università degli Studi di Milano
series Studia theodisca
issn 1593-2478
2385-2917
publishDate 2017-11-01
description The main focus of this essay is the discursive analysis of “Reich” as an article of faith in the poetry volume Die Fanfare. Gedichte der deutschen Erhebung by Heinrich Anacker (1901-1971). Looking back to the original theological foundation of the concept “Third Reich” in connection with the debate about whether National Socialism could be consid­ered as a political religion, “Reich” is described as a possible article of faith of the Nazi creed. In Anacker’s National Socialist biased propaganda poetry, “Reich” appears, in fact, as a sacred and even as a quasi-religious entity.
url https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/9205
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