The Architect as Producer: Hannes Meyer and the Proletarianisation of the Western Architect
With the foundation of the Bauhaus, Walter Gropius advocated an end to the division between arts and crafts. Contrary to the idea of architecture as art, the programme of the school aimed to assimilate architecture with industry in order to satisfy collective social needs. Yet, despite this program...
Main Author: | Amir Djalali |
---|---|
Format: | Article |
Language: | English |
Published: |
Jap Sam Books
2015-12-01
|
Series: | Footprint |
Online Access: | https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/859 |
Similar Items
-
The Hannes Meyer Seminars at the Bauhaus Dessau (1980–1986) as a Contact Zone for Finnish and East German Architects
by: Torsten Lange
Published: (2020-07-01) -
Hannes Meyer: hacia, en y después de la Bauhaus = Hannes Meyer, a difficult path
by: Bernardo Ynzenga
Published: (2017-12-01) -
The Bon Architecte, the Mauvais Architecte
by: Philibert de L’Orme
Published: (2018-12-01) -
Architect / Builder: Builder / Architect
by: White, John Philip Jr.
Published: (2014) -
Architects – Founders of the Union of Architects in Irkutsk
by: Andrei Lyapin
Published: (2015-05-01)