The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data Perspective

This study presents a data driven comparative analysis of the painting industries in sixteenth and seventeenth century Antwerp and Amsterdam. The popular view of the development of these two artistic centers still holds that Antwerp flourished in the sixteenth century and was succeeded by Amsterdam...

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Main Authors: Harm Nijboer, Judith Brouwer, Marten Jan Bok
Format: Article
Language:English
Published: MDPI AG 2019-06-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/8/3/77
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spelling doaj-21865011ec2e41bfbc7bb92a08e7a8f12020-11-25T01:49:38ZengMDPI AGArts2076-07522019-06-01837710.3390/arts8030077arts8030077The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data PerspectiveHarm Nijboer0Judith Brouwer1Marten Jan Bok2Huygens Institute for the History of the Netherlands, Royal Netherlands Academy of Arts and Sciences, 1001 EW-10855 Amsterdam, The NetherlandsHuygens Institute for the History of the Netherlands, Royal Netherlands Academy of Arts and Sciences, 1001 EW-10855 Amsterdam, The NetherlandsDepartment of Art History, University of Amsterdam, 1090 GN-94551 Amsterdam, The NetherlandsThis study presents a data driven comparative analysis of the painting industries in sixteenth and seventeenth century Antwerp and Amsterdam. The popular view of the development of these two artistic centers still holds that Antwerp flourished in the sixteenth century and was succeeded by Amsterdam after the former’s recapturing by the Spanish in 1585. However, a demographic analysis of the number of painters active in Antwerp and Amsterdam shows that Antwerp recovered relatively quickly after 1585 and that it remained the leading artistic center in the Low Countries, only to be surpassed by Amsterdam in the 1650’s. An analysis of migration patterns and social networks shows that painters in Antwerp formed a more cohesive group than painters in Amsterdam. As a result, the two cities responded quite differently to internal and external market shocks. Data for this study are taken from ECARTICO, a database and a linked data web resource containing structured biographical data on over 9100 painters working in the Low Countries until circa 1725.https://www.mdpi.com/2076-0752/8/3/77AmsterdamAntwerppaintingDutch Golden AgeFlemish Baroque
collection DOAJ
language English
format Article
sources DOAJ
author Harm Nijboer
Judith Brouwer
Marten Jan Bok
spellingShingle Harm Nijboer
Judith Brouwer
Marten Jan Bok
The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data Perspective
Arts
Amsterdam
Antwerp
painting
Dutch Golden Age
Flemish Baroque
author_facet Harm Nijboer
Judith Brouwer
Marten Jan Bok
author_sort Harm Nijboer
title The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data Perspective
title_short The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data Perspective
title_full The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data Perspective
title_fullStr The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data Perspective
title_full_unstemmed The Painting Industries of Antwerp and Amsterdam, 1500−1700: A Data Perspective
title_sort painting industries of antwerp and amsterdam, 1500−1700: a data perspective
publisher MDPI AG
series Arts
issn 2076-0752
publishDate 2019-06-01
description This study presents a data driven comparative analysis of the painting industries in sixteenth and seventeenth century Antwerp and Amsterdam. The popular view of the development of these two artistic centers still holds that Antwerp flourished in the sixteenth century and was succeeded by Amsterdam after the former’s recapturing by the Spanish in 1585. However, a demographic analysis of the number of painters active in Antwerp and Amsterdam shows that Antwerp recovered relatively quickly after 1585 and that it remained the leading artistic center in the Low Countries, only to be surpassed by Amsterdam in the 1650’s. An analysis of migration patterns and social networks shows that painters in Antwerp formed a more cohesive group than painters in Amsterdam. As a result, the two cities responded quite differently to internal and external market shocks. Data for this study are taken from ECARTICO, a database and a linked data web resource containing structured biographical data on over 9100 painters working in the Low Countries until circa 1725.
topic Amsterdam
Antwerp
painting
Dutch Golden Age
Flemish Baroque
url https://www.mdpi.com/2076-0752/8/3/77
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