Archétypes du corps cinématographique du narcotrafiquant mexicain

This paper explores three Mexican fiction feature films internationally released in 2011: Miss Bala, Days of grace and El Infierno. The movies propose three different criminality’s representations related to drug trafficking. Therefore, we try to draw various archetypes of the drug dealer’s body in...

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Bibliographic Details
Main Author: Magali Kabous
Format: Article
Language:Spanish
Published: Presses Universitaires du Mirail 2019-12-01
Series:Caravelle
Subjects:
Online Access:http://journals.openedition.org/caravelle/6372
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spelling doaj-2157ecbd794a4b58bb581a795ee36c222020-11-25T03:13:56ZspaPresses Universitaires du MirailCaravelle1147-67532019-12-01113355010.4000/caravelle.6372Archétypes du corps cinématographique du narcotrafiquant mexicainMagali KabousThis paper explores three Mexican fiction feature films internationally released in 2011: Miss Bala, Days of grace and El Infierno. The movies propose three different criminality’s representations related to drug trafficking. Therefore, we try to draw various archetypes of the drug dealer’s body in films. How do filmmakers depict their character, their physical appearance and metamorphosis and their integration into a group? To what extent are these accusing portraits? Do they contribute to maintain the attraction towards this figure, fictional as well as real?http://journals.openedition.org/caravelle/6372MexicoCinemacriminals’ bodyCostumeMetamorphosis
collection DOAJ
language Spanish
format Article
sources DOAJ
author Magali Kabous
spellingShingle Magali Kabous
Archétypes du corps cinématographique du narcotrafiquant mexicain
Caravelle
Mexico
Cinema
criminals’ body
Costume
Metamorphosis
author_facet Magali Kabous
author_sort Magali Kabous
title Archétypes du corps cinématographique du narcotrafiquant mexicain
title_short Archétypes du corps cinématographique du narcotrafiquant mexicain
title_full Archétypes du corps cinématographique du narcotrafiquant mexicain
title_fullStr Archétypes du corps cinématographique du narcotrafiquant mexicain
title_full_unstemmed Archétypes du corps cinématographique du narcotrafiquant mexicain
title_sort archétypes du corps cinématographique du narcotrafiquant mexicain
publisher Presses Universitaires du Mirail
series Caravelle
issn 1147-6753
publishDate 2019-12-01
description This paper explores three Mexican fiction feature films internationally released in 2011: Miss Bala, Days of grace and El Infierno. The movies propose three different criminality’s representations related to drug trafficking. Therefore, we try to draw various archetypes of the drug dealer’s body in films. How do filmmakers depict their character, their physical appearance and metamorphosis and their integration into a group? To what extent are these accusing portraits? Do they contribute to maintain the attraction towards this figure, fictional as well as real?
topic Mexico
Cinema
criminals’ body
Costume
Metamorphosis
url http://journals.openedition.org/caravelle/6372
work_keys_str_mv AT magalikabous archetypesducorpscinematographiquedunarcotrafiquantmexicain
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