Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousness

Talking about of place and matter as indissoluble terms of architectural practice could at first appear tautological, because of the essential link that makes them participating in the construction of anthropic structures. But nowadays it has become of utmost importance to emphasize it, in the light...

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Main Author: Giuseppe Francesco Rociola
Format: Article
Language:English
Published: Universidad Politécnica de Valencia 2017-12-01
Series:Vitruvio: International Journal of Architectural Technology and Sustainability
Subjects:
Online Access:https://polipapers.upv.es/index.php/vitruvio/article/view/8745
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spelling doaj-20ff49a733e34205b6c4d2241af324cd2020-11-25T02:52:56ZengUniversidad Politécnica de ValenciaVitruvio: International Journal of Architectural Technology and Sustainability2444-90912017-12-0122355310.4995/vitruvio-ijats.2017.87456225Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousnessGiuseppe Francesco Rociola0University of BasilicataTalking about of place and matter as indissoluble terms of architectural practice could at first appear tautological, because of the essential link that makes them participating in the construction of anthropic structures. But nowadays it has become of utmost importance to emphasize it, in the light of the profound changes that concern the architecture in the last decades, during which the importance of technology as a value in itself that summarizes all the meanings of the project has questioned the link always existed among materials, building and language, as expression of a type-morphological world in which to recognize themselves collectively. In this sense it may be useful to analyze some nodal points characterizing developments and discontinuities of this relationship, to investigate the role of memory as a "working theme" of architecture, performed above all through materials, and to highlight the importance to seek a critical link between place and type read in the ontological dimension of the building, that has no nostalgic or historiographical purpose, but on the contrary it is necessary to root the project into a cultural palimpsest that allows the present of construction to be dense of social meanings.https://polipapers.upv.es/index.php/vitruvio/article/view/8745materialplaceorganismtectoniccultural areadesign
collection DOAJ
language English
format Article
sources DOAJ
author Giuseppe Francesco Rociola
spellingShingle Giuseppe Francesco Rociola
Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousness
Vitruvio: International Journal of Architectural Technology and Sustainability
material
place
organism
tectonic
cultural area
design
author_facet Giuseppe Francesco Rociola
author_sort Giuseppe Francesco Rociola
title Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousness
title_short Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousness
title_full Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousness
title_fullStr Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousness
title_full_unstemmed Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousness
title_sort matter, material, architecture. the tectonic conception between spontaneous consciousness and critical consciousness
publisher Universidad Politécnica de Valencia
series Vitruvio: International Journal of Architectural Technology and Sustainability
issn 2444-9091
publishDate 2017-12-01
description Talking about of place and matter as indissoluble terms of architectural practice could at first appear tautological, because of the essential link that makes them participating in the construction of anthropic structures. But nowadays it has become of utmost importance to emphasize it, in the light of the profound changes that concern the architecture in the last decades, during which the importance of technology as a value in itself that summarizes all the meanings of the project has questioned the link always existed among materials, building and language, as expression of a type-morphological world in which to recognize themselves collectively. In this sense it may be useful to analyze some nodal points characterizing developments and discontinuities of this relationship, to investigate the role of memory as a "working theme" of architecture, performed above all through materials, and to highlight the importance to seek a critical link between place and type read in the ontological dimension of the building, that has no nostalgic or historiographical purpose, but on the contrary it is necessary to root the project into a cultural palimpsest that allows the present of construction to be dense of social meanings.
topic material
place
organism
tectonic
cultural area
design
url https://polipapers.upv.es/index.php/vitruvio/article/view/8745
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