Response to David Temperley's Commentary

The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with particular attention to presentations such as those of...

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Bibliographic Details
Main Author: William Thomson
Format: Article
Language:English
Published: The Ohio State University Libraries 2006-09-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://kb.osu.edu/dspace/handle/1811/24066
Description
Summary:The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with particular attention to presentations such as those of Carol Krumhansl and Fred Lerdahl.
ISSN:1559-5749