Aesthetic and dramatic dimensions of silence in the feature film

        Which was entitled : Aesthetic and dramatic dimensions of silence in the feature film , and the researcher clearly define after removing the confusion existing in some authorized sources , as for the concept of silence , adopted in this research is : the death of the audio stream , Hence th...

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Main Author: Ali anwer rasheed
Format: Article
Language:Arabic
Published: College of Fine Arts / University of Baghdad 2017-09-01
Series:الاكاديمي
Online Access:https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/201
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spelling doaj-20695dd225334522af2f8c98d7b351922021-03-27T14:36:36ZaraCollege of Fine Arts / University of Baghdadالاكاديمي1819-52292523-20292017-09-018510.35560/jcofarts85/123-140Aesthetic and dramatic dimensions of silence in the feature filmAli anwer rasheed         Which was entitled : Aesthetic and dramatic dimensions of silence in the feature film , and the researcher clearly define after removing the confusion existing in some authorized sources , as for the concept of silence , adopted in this research is : the death of the audio stream , Hence the researcher shed a light on the aesthetic and the dramatic role of silence in the feature film , through the handing of the silent scenes ( absolute silence ) in the film research divided this research into four chapters . This first Chapter includes : methodological framework , which represents the research problem , which came with the following question : what is the mechanism of productive silence to the aesthetic and dramatic dimensions in the feature film ? The goal was determined to reveal about : 1- The real concept of the silence used in the film . 2 - The aesthetic and dramatic dimensions of silence in the feature film . The second chapter includes the theoretical framework ; the first research topic which covers the concept of silence , the second topic is about the mechanism of operating the silence in the theoretical framework . The third chapter included search procedures , and also included the methodology and performance of the research as theoretical indicators which came from the theoretical framework . The research sample included the feature film (Alresala – The message ) in Arabic version for Mustafa Al – Aqad as director . The fourth chapter included analysis and results . https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/201
collection DOAJ
language Arabic
format Article
sources DOAJ
author Ali anwer rasheed
spellingShingle Ali anwer rasheed
Aesthetic and dramatic dimensions of silence in the feature film
الاكاديمي
author_facet Ali anwer rasheed
author_sort Ali anwer rasheed
title Aesthetic and dramatic dimensions of silence in the feature film
title_short Aesthetic and dramatic dimensions of silence in the feature film
title_full Aesthetic and dramatic dimensions of silence in the feature film
title_fullStr Aesthetic and dramatic dimensions of silence in the feature film
title_full_unstemmed Aesthetic and dramatic dimensions of silence in the feature film
title_sort aesthetic and dramatic dimensions of silence in the feature film
publisher College of Fine Arts / University of Baghdad
series الاكاديمي
issn 1819-5229
2523-2029
publishDate 2017-09-01
description         Which was entitled : Aesthetic and dramatic dimensions of silence in the feature film , and the researcher clearly define after removing the confusion existing in some authorized sources , as for the concept of silence , adopted in this research is : the death of the audio stream , Hence the researcher shed a light on the aesthetic and the dramatic role of silence in the feature film , through the handing of the silent scenes ( absolute silence ) in the film research divided this research into four chapters . This first Chapter includes : methodological framework , which represents the research problem , which came with the following question : what is the mechanism of productive silence to the aesthetic and dramatic dimensions in the feature film ? The goal was determined to reveal about : 1- The real concept of the silence used in the film . 2 - The aesthetic and dramatic dimensions of silence in the feature film . The second chapter includes the theoretical framework ; the first research topic which covers the concept of silence , the second topic is about the mechanism of operating the silence in the theoretical framework . The third chapter included search procedures , and also included the methodology and performance of the research as theoretical indicators which came from the theoretical framework . The research sample included the feature film (Alresala – The message ) in Arabic version for Mustafa Al – Aqad as director . The fourth chapter included analysis and results .
url https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/201
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