Thaumaturgic, Cartoon Blackface

This essay explores how a particular medium—the comic—exposes the limitations of conventional narratives about sīyāh bāzī (Persian blackface) and hājī fīrūz (a famous blackface figure). Many commentators disavow the racial connotations of sīyāh bāzī and hājī fīrūz, concocting pseudo-historical genea...

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Main Author: Parisa Vaziri
Format: Article
Language:English
Published: Cultural Studies Association 2021-03-01
Series:Lateral
Subjects:
Online Access:https://csalateral.org/forum/cultural-constructions-race-racism-middle-east-north-africa-southwest-asia-mena-swana/thaumaturgic-cartoon-blackface-vaziri/
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spelling doaj-20518eecdb2545a88608752b21a269322021-06-10T01:09:47ZengCultural Studies AssociationLateral2469-40532021-03-0110110.25158/L10.1.17Thaumaturgic, Cartoon BlackfaceParisa Vaziri0Cornell UniversityThis essay explores how a particular medium—the comic—exposes the limitations of conventional narratives about sīyāh bāzī (Persian blackface) and hājī fīrūz (a famous blackface figure). Many commentators disavow the racial connotations of sīyāh bāzī and hājī fīrūz, concocting pseudo-historical genealogies that link the improvisatory tradition and figure to pre-Islamic practices; commentators thus repress the tradition’s obvious resonances with the history of African enslavement in Iran. Through a close reading of a comic strip from a 1960s Persian periodical, I argue that historicism is an inadequate framework for adjudicating sīyāh bāzī’s racial or “nonracial” character. Instead, I suggest that cartoon Blackness is always already racial, since the comic form depends upon a process of simplification that is at the heart of racialization.https://csalateral.org/forum/cultural-constructions-race-racism-middle-east-north-africa-southwest-asia-mena-swana/thaumaturgic-cartoon-blackface-vaziri/blackfacehaji firuzcomicsracializationblacknesscinemairan
collection DOAJ
language English
format Article
sources DOAJ
author Parisa Vaziri
spellingShingle Parisa Vaziri
Thaumaturgic, Cartoon Blackface
Lateral
blackface
haji firuz
comics
racialization
blackness
cinema
iran
author_facet Parisa Vaziri
author_sort Parisa Vaziri
title Thaumaturgic, Cartoon Blackface
title_short Thaumaturgic, Cartoon Blackface
title_full Thaumaturgic, Cartoon Blackface
title_fullStr Thaumaturgic, Cartoon Blackface
title_full_unstemmed Thaumaturgic, Cartoon Blackface
title_sort thaumaturgic, cartoon blackface
publisher Cultural Studies Association
series Lateral
issn 2469-4053
publishDate 2021-03-01
description This essay explores how a particular medium—the comic—exposes the limitations of conventional narratives about sīyāh bāzī (Persian blackface) and hājī fīrūz (a famous blackface figure). Many commentators disavow the racial connotations of sīyāh bāzī and hājī fīrūz, concocting pseudo-historical genealogies that link the improvisatory tradition and figure to pre-Islamic practices; commentators thus repress the tradition’s obvious resonances with the history of African enslavement in Iran. Through a close reading of a comic strip from a 1960s Persian periodical, I argue that historicism is an inadequate framework for adjudicating sīyāh bāzī’s racial or “nonracial” character. Instead, I suggest that cartoon Blackness is always already racial, since the comic form depends upon a process of simplification that is at the heart of racialization.
topic blackface
haji firuz
comics
racialization
blackness
cinema
iran
url https://csalateral.org/forum/cultural-constructions-race-racism-middle-east-north-africa-southwest-asia-mena-swana/thaumaturgic-cartoon-blackface-vaziri/
work_keys_str_mv AT parisavaziri thaumaturgiccartoonblackface
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