How to describe “the world of pyramidal absurd” or grotesque in the camp literature

The main aim of the paper is to reflect on the various forms of the disclosure and the use of the grotesque in the Polish camp literature. Prisoners, authors of books devoted to life in the camps, experienced life in conditions that we did not normally recognize as impossible. In this sketch I try t...

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Main Author: Tadeusz Sucharski
Format: Article
Language:English
Published: Lodz University Press 2017-05-01
Series:Acta Universitatis Lodziensis. Folia Litteraria Polonica
Online Access:https://czasopisma.uni.lodz.pl/polonica/article/view/3264
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spelling doaj-202ee579c4d547b999c0fd194fef54812020-11-24T21:46:00ZengLodz University PressActa Universitatis Lodziensis. Folia Litteraria Polonica1505-90572353-19082017-05-0142410.18778/1505-9057.42.042496How to describe “the world of pyramidal absurd” or grotesque in the camp literatureTadeusz Sucharski0Akademia Pomorska w Słupsku, Wydział Filologiczno-Historyczny, Instytut Polonistyki; ul. Arciszewskiego 22a, 76-200 SłupskThe main aim of the paper is to reflect on the various forms of the disclosure and the use of the grotesque in the Polish camp literature. Prisoners, authors of books devoted to life in the camps, experienced life in conditions that we did not normally recognize as impossible. In this sketch I try to show the ways of using (or not-using) of this experience in literature. Many Polish writers emphasized the importance of ridicule in the description of the world of the camp, because “it sees sharper, it clearly draws”, but that perspective often lacked in their books. However, there were writers (Grubiński and Wittlin) who put the world of Soviet slavery in satirical way, often in the form of “laughter through tears” (close to Bachtin’s conception). There were also writers (Lipski and Mayewski) who dispassionately exposed the horror of the atrocity of the camp, they took the game with the absurd (close to Kayser’s conception). Finally, there was a writer (Olszewski) who attempted to capture the entire Stalinist world as a grotesque.https://czasopisma.uni.lodz.pl/polonica/article/view/3264
collection DOAJ
language English
format Article
sources DOAJ
author Tadeusz Sucharski
spellingShingle Tadeusz Sucharski
How to describe “the world of pyramidal absurd” or grotesque in the camp literature
Acta Universitatis Lodziensis. Folia Litteraria Polonica
author_facet Tadeusz Sucharski
author_sort Tadeusz Sucharski
title How to describe “the world of pyramidal absurd” or grotesque in the camp literature
title_short How to describe “the world of pyramidal absurd” or grotesque in the camp literature
title_full How to describe “the world of pyramidal absurd” or grotesque in the camp literature
title_fullStr How to describe “the world of pyramidal absurd” or grotesque in the camp literature
title_full_unstemmed How to describe “the world of pyramidal absurd” or grotesque in the camp literature
title_sort how to describe “the world of pyramidal absurd” or grotesque in the camp literature
publisher Lodz University Press
series Acta Universitatis Lodziensis. Folia Litteraria Polonica
issn 1505-9057
2353-1908
publishDate 2017-05-01
description The main aim of the paper is to reflect on the various forms of the disclosure and the use of the grotesque in the Polish camp literature. Prisoners, authors of books devoted to life in the camps, experienced life in conditions that we did not normally recognize as impossible. In this sketch I try to show the ways of using (or not-using) of this experience in literature. Many Polish writers emphasized the importance of ridicule in the description of the world of the camp, because “it sees sharper, it clearly draws”, but that perspective often lacked in their books. However, there were writers (Grubiński and Wittlin) who put the world of Soviet slavery in satirical way, often in the form of “laughter through tears” (close to Bachtin’s conception). There were also writers (Lipski and Mayewski) who dispassionately exposed the horror of the atrocity of the camp, they took the game with the absurd (close to Kayser’s conception). Finally, there was a writer (Olszewski) who attempted to capture the entire Stalinist world as a grotesque.
url https://czasopisma.uni.lodz.pl/polonica/article/view/3264
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