How to describe “the world of pyramidal absurd” or grotesque in the camp literature
The main aim of the paper is to reflect on the various forms of the disclosure and the use of the grotesque in the Polish camp literature. Prisoners, authors of books devoted to life in the camps, experienced life in conditions that we did not normally recognize as impossible. In this sketch I try t...
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| Format: | Article |
| Language: | English |
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Lodz University Press
2017-05-01
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| Series: | Acta Universitatis Lodziensis. Folia Litteraria Polonica |
| Online Access: | https://czasopisma.uni.lodz.pl/polonica/article/view/3264 |
| Summary: | The main aim of the paper is to reflect on the various forms of the disclosure and the use of the grotesque in the Polish camp literature. Prisoners, authors of books devoted to life in the camps, experienced life in conditions that we did not normally recognize as impossible. In this sketch I try to show the ways of using (or not-using) of this experience in literature. Many Polish writers emphasized the importance of ridicule in the description of the world of the camp, because “it sees sharper, it clearly draws”, but that perspective often lacked in their books. However, there were writers (Grubiński and Wittlin) who put the world of Soviet slavery in satirical way, often in the form of “laughter through tears” (close to Bachtin’s conception). There were also writers (Lipski and Mayewski) who dispassionately exposed the horror of the atrocity of the camp, they took the game with the absurd (close to Kayser’s conception). Finally, there was a writer (Olszewski) who attempted to capture the entire Stalinist world as a grotesque. |
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| ISSN: | 1505-9057 2353-1908 |