The Still Center as Invented Topos: Static Pilgrimage in Aristasia

After decades of challenges to many other definitional elements of ‘pilgrimage’, the centrality of motion and physical movement, whether literally enacted or realized virtually or through metaphor, remains largely uncontested. This paper examines practices of creative writing and home decorating amo...

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Main Author: Race MoChridhe
Format: Article
Language:English
Published: Technological University Dublin 2020-04-01
Series:International Journal of Religious Tourism and Pilgrimage
Subjects:
Online Access:https://arrow.tudublin.ie/ijrtp/vol8/iss3/7
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spelling doaj-1fee9e884e3744b0a24a2ec6bc9f68f52020-11-25T03:59:35ZengTechnological University DublinInternational Journal of Religious Tourism and Pilgrimage2009-73792020-04-018310.21427/a2a5-2e06The Still Center as Invented Topos: Static Pilgrimage in AristasiaRace MoChridhe0American Theological Library AssociationAfter decades of challenges to many other definitional elements of ‘pilgrimage’, the centrality of motion and physical movement, whether literally enacted or realized virtually or through metaphor, remains largely uncontested. This paper examines practices of creative writing and home decorating among participants in the 1990s British subculture of ‘Aristasia’ (an outgrowth of a New Religious Movement known in the 1970s and 80s as ‘Madrianism’ but now more commonly referred to as ‘Filianism’) to argue that these practices functioned together for participants as static pilgrimages, accomplishing the same psychological and social tasks as traditional modes while suppressing even metaphorical concepts of travel or motion. This unique form of pilgrimage, it is argued, was made possible by traits identified by Carole Cusack (2010) as defining a category of ‘invented religions’—an analysis that supports Sarah MacMillan’s (2011) emphasis on ‘place and body’ as the constitutive elements of pilgrimage by demonstrating practically how these elements might provide pilgrimage functions in the absence of motifs of motion. In further elaborating how the deliberate suppression of such motifs supports metaphysical views that symbolically align motion with the loss of the sacred and the breakdown of social order, this case study also extends the theories of Peter Geschiere and Birgit Meyer (1999), as well as William Swatos and Luigi Tomasi (2002), on pilgrimage and globalization by highlighting the unanticipated development that modernity’s dissolution of place might paradoxically open imagined spaces from which the fluidity of modernity might be challenged and critiqued. In all of these ways, the Aristasian example suggests that pilgrimage definitions dependent on motion may be of limited applicability to emerging forms of spirituality.https://arrow.tudublin.ie/ijrtp/vol8/iss3/7static pilgrimageAristasiaFilianismMadrianismglobalization
collection DOAJ
language English
format Article
sources DOAJ
author Race MoChridhe
spellingShingle Race MoChridhe
The Still Center as Invented Topos: Static Pilgrimage in Aristasia
International Journal of Religious Tourism and Pilgrimage
static pilgrimage
Aristasia
Filianism
Madrianism
globalization
author_facet Race MoChridhe
author_sort Race MoChridhe
title The Still Center as Invented Topos: Static Pilgrimage in Aristasia
title_short The Still Center as Invented Topos: Static Pilgrimage in Aristasia
title_full The Still Center as Invented Topos: Static Pilgrimage in Aristasia
title_fullStr The Still Center as Invented Topos: Static Pilgrimage in Aristasia
title_full_unstemmed The Still Center as Invented Topos: Static Pilgrimage in Aristasia
title_sort still center as invented topos: static pilgrimage in aristasia
publisher Technological University Dublin
series International Journal of Religious Tourism and Pilgrimage
issn 2009-7379
publishDate 2020-04-01
description After decades of challenges to many other definitional elements of ‘pilgrimage’, the centrality of motion and physical movement, whether literally enacted or realized virtually or through metaphor, remains largely uncontested. This paper examines practices of creative writing and home decorating among participants in the 1990s British subculture of ‘Aristasia’ (an outgrowth of a New Religious Movement known in the 1970s and 80s as ‘Madrianism’ but now more commonly referred to as ‘Filianism’) to argue that these practices functioned together for participants as static pilgrimages, accomplishing the same psychological and social tasks as traditional modes while suppressing even metaphorical concepts of travel or motion. This unique form of pilgrimage, it is argued, was made possible by traits identified by Carole Cusack (2010) as defining a category of ‘invented religions’—an analysis that supports Sarah MacMillan’s (2011) emphasis on ‘place and body’ as the constitutive elements of pilgrimage by demonstrating practically how these elements might provide pilgrimage functions in the absence of motifs of motion. In further elaborating how the deliberate suppression of such motifs supports metaphysical views that symbolically align motion with the loss of the sacred and the breakdown of social order, this case study also extends the theories of Peter Geschiere and Birgit Meyer (1999), as well as William Swatos and Luigi Tomasi (2002), on pilgrimage and globalization by highlighting the unanticipated development that modernity’s dissolution of place might paradoxically open imagined spaces from which the fluidity of modernity might be challenged and critiqued. In all of these ways, the Aristasian example suggests that pilgrimage definitions dependent on motion may be of limited applicability to emerging forms of spirituality.
topic static pilgrimage
Aristasia
Filianism
Madrianism
globalization
url https://arrow.tudublin.ie/ijrtp/vol8/iss3/7
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